Özet:

They are divided into two forms of expression: Nessir and Poetry (Nazim). In the classical Turkish literature, the generation has a more distorted and free form of expression according to general acceptance.  Therefore, in the classical Turkish literature, the vocabulary of the word for the generation also contains the names such as "the fooled bear, the dispersed bear" (Read 2011: 88) Poetry is seen as a kind of form and a kind of form. The poem, which has a more systematic and present form of expression, has therefore been conceived in the classical Turkish poem with the character of "crowing the ink to the line". In classical Turkish literature, when generation and poetry are compared, it will be clear that their common points are interpreted as art (inci). Poetry is the art of harmoniously arranging voices and words. In the phase of the formation of poetry, in order to create harmony, to reflect the feeling in a stronger way, the poets have turned to different searches: Asonance, aliteration, word and sound repetitions, parallels, vein and rhythm; the elements that the poets are used to establish harmony in poetry. Of course, those elements that make harmony are more valuable than those that can be associated with the meaning of the sound value. In this work, we will try to reveal the source of the onamatope (reflecting) art that we can briefly describe as the “confirmation of the meaning of the sound element in the poem” which provides the possibility of expressing meaning and feeling stronger in the classical Turkish poem, how and how it is included.

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