Abstract:

The XVIII. In the first half of the century, Sultan III. During the Ahmed period (1703- 1730), a transition period called the "Lale Age" occurred, where the transition elements to the Westernization period were highlighted. During this period, Turkish art enters into the search for a new style with the new art pleasures it receives from the West. This new art concept begins to change with the motives of the classical style, the participation of new rich decorations, and in the continuing process, the Ottoman classical architectural lines gradually disappear, leaving their place for new flows, the main lines of the Baroque style and the decorations in which the French rococo is effective. by Sultan I. In the accelerated art in the Mahmud period (1730-1754) the Westernization movements resulted in the first place the Turkish barok felt well, and then all the main elements of the classical style disappeared, leaving their place, in Baroque forms. In the Lale period, the continued plan and small changes in the body in this period, it appears to be completely different from foreign effects. While the Turkish Baroque feels intense in both design and architecture, the rubber architecture, with the rocoko motifs used in decoration, appears to be a new and more vibrant look. The Ottoman art translates the motifs in the rocoko style into its own body, adopting the motifs that it can resemble the existing traditional motifs that are not strange to its image. This is the III. During the period of Osman (1754-1757) it is continued to see that the formality in the architecture is reflected not only in details, but in the entire architecture. More technical assistance is received from the West. During the period of Mustafa (1757-1774) the Baroque influences continued. But in this period, the Baroque and Rokoko objects created by indigenous architects take their place in the architecture by making them in accordance with the Ottoman architectural tradition. During the period of Abdülhamid (1774-1789) there was an increase in the number of motives on the seals. After this date, the change in architecture gains a third-dimensional attribute by getting out of the surface. and III. During the period of Selim (1789-1807) the general attitude continues while decoration remains related to architecture and the Western motives and forms applied are implemented in such a way as to ensure integrity by being removed from being added to architecture. Thus the XVIII. From the second quarter of the century, the Baroque-Rocco-interpreted front designs and decorations, Sultan II. It continued until the period of Mahmud (1808-1839) .

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