Özet:

The cultural heritage, which contains reflections of the collective memory/action that is formed/reformed in the course of social life, reflects the civilization, beliefs and cultures of people living in the past. The architectural elements of the material cultural heritage come to us as the temporary/permanent places of the non-material cultural heritage. The preservation of the non-subjective cultural heritage is as important as the preservation of the non-subjective cultural heritage. In this context, the assessment of the objects of the concrete and non-crete cultural heritage, along with an integrated approach, will be a guide in the safeguarding efforts to be carried out by increasing the awareness of the "unity of values and values" possessed. In this study, the bridges from the elements of the concrete cultural heritage are focused on the value of the combination of the concrete and non- concrete cultural heritage through the Dicle (On Eye) Bridge, one of the important works in Turkey, and the rituals that continue to be carried out on the bridge. The method of study is defined as literary scan in local and foreign verbal and written sources, documentation and photography by the method of observation on the site. Thus, a theoretical infrastructure for the unification of concrete and non- concrete cultural heritage has been created from the countries located in the different continents of the world and from the examples in Turkey. In the framework of the study, the mostar in Bosnia and Herzegovina, Khaju in Iran, Charles in the Czech Republic, London in the United Kingdom, Rialto and Vecchio in Italy, Love in France, Italy, Germany and Finland and Irgandi in Turkey and the Chetinkaya (Gelin) bridges are described. In these buildings, strong rituals lived from the past to the present have been subject to work. For centuries from the Mostar Bridge, the sounds of the songs that rise from the bridge that serves as a barge in Isfahan, the wishes requested by touching the sculptures in Prague, the little children dressed in sheep clothes and the state monastery participating in the transition of sheep in London, the Arastal architectural formations in Venice, Florence and Bursa, and in Paris, Rome, Cologne, Helsinki, where the keys were thrown from the bridges of love to the rivers, in Samsun, the subject of the 'Cross Passed Gelin' to the Turkey, the rocks of the houses were thrown into the river. Located in our country, the Dicle (On Eyes) Bridge is located just outside the Suriçi region, the first settlement of the city of Diyarbakır, on the edges of the legendary Kırklar Mountain, one of the four doors of the entrance to the city, three km south of the Mardin Gate and combines the two shores of the Dicle River. In the framework of the study, the role of the bridge in the transfer of parts of the non-subjective cultural heritage on the Dicle Bridge, which is an element of a concrete cultural heritage, to future generations by recording traditions, beliefs, culture, rituals and narratives, social memory, habits. Visitors ask for wishes by throwing papers from the bridge in holy and special days, playing local public games (halay) accompanied by the bridge, in special days in photography, four seasonal bridges and nearby surroundings are used, watching the sights and the sights around the bridge, fishing and living the rituals that have lasted for centuries. The purpose of this study is to transform the historic Dicle Bridge in a recreational area for the city population by closing it to traffic after the restoration work, and to explore the non-specific cultural heritage contributions of its more effective use after the opening of the visit to the local people and tourists. Identification of the value that the concrete and non- concrete elements that reflect this unity combine and transfer to future generations and the guidance of work towards social projects is considered to be effective in enriching tourist activities.

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