Özet:

In the mind of the audience, the perception of reality can be created in the most effective way by the cinema films. Therefore, no matter how unrealistic the images reflected from the white screen are, the audience considers those images as real. At this point, due to the confusion of reality and fiction, the relationship that the cinema establishes with reality is often discussed. These discussions were conducted in two main axes: some claimed that what the cinema recorded and showed through the camera was true, and some claimed that the camera could not reflect the reality. In these discussions, the relationship with the history of the film comes to the top of the topics that are most discussed. It is just one of the discussion topics how close the history reflected through films can come to reality. The effect of the images reflected from the roof on creating reality perception causes the audience to put the fictionality of the films back on the plan, especially when evaluating historical films. From here, the work with motion aims to be able to reveal the core points of the discussions on historical films and reality in the framework of the film-reality relationship. In the framework of the study, the connection that the cinema has established with reality since its beginning, the reasons for the re-planning of the fictional characteristics of the cinema films and the discussions on historical films in this context have been discussed. In order to create the main headlines of these discussions, literature as well as news related to the subject were used. The study found that the dramatic/phantastic structure of the cinema was often overlooked in the discussions, the connection it established with reality was misvalued and the mission of history teaching was charged with the cinema.

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