Özet:

The history of Azerbaijan cannot be studied independently of the history of the sons, the Selchucks, the Mongols, the Arabs, the Iranians, the Ottomans, the Turkey, the Tsar Russian Federation, the Soviets and the present Russia. The views of the people of the region, interacting with many cultures, especially on religious issues, and the translation of this view through literature and art, and the impressions that the society has left in national consciousness, are worth exploring. Religion and religious beliefs are a phenomenon that forms the national and spiritual values of society, that makes it exist among communities, that separates from other communities and that makes it responsible among humans. Through the values that religion and faith offer to man, he recognizes the opportunity to express himself in the arena of civilizations and cultures. In the article we will translate examples of the works of the Azerbaidjan masterpieces in which this phenomenon was imposed on the public consciousness by the art and literature flow. When we look at the reflections of the conflict between religion and art in literature, we will observe the effectiveness of the atheist understanding, especially in the Soviet era. Although there are many studies on the Azerbaijani theatre and literature in our country, it is unlikely to say that there are enough works to create resources. Since there is no research on this topic in Turkey, in our work, a certain period of the Azerbaidjan Theatre has not been deeply discussed. In this sense, it is intended to be possible to conduct research that includes much more detailed dramatic examinations through the works shown in the example.