Özet:

Poets are required to apply to their poetic texts in order to reach complex collective findings about their poetic concepts. Mehmet Akif Ersoy, who has taken an important place in Turkish literature with the seven-cylindrical poem culture of Safahat, which he published most of it in the first quarter of the 20th century, is a poet who has also thought about the issues of poetry and literature and produced texts. In the poetic texts of Mehmet Akif, a number of criticisms have been directed to the divan poem, art for art and art for society, questioning their concepts and highlighting the second of them and standing on the problem of reality. In this article, we will go through these issues and try to get the results about the poem understanding of Mehmet Akif. Of course, this is not the first and last thing that begins with Mehmet Akif. In Western literature there is a wide literature on whether the reality is problematic and whether art is for art or for society. These issues have also been discussed for a long time among Turkish poets and writers since the Tanzimat period. This review, in light of all these data, will also focus on the relationship of continuity between Mehmet Akif and his literary concepts in the Tanzimat period and especially Namık Kemal.

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