Özet:

Poetry first used by Aristotle, derived from the Greek po(i)tikos fact, was first used in a way that covers the rules of all the arts in a nearest sense, and later began to express theories on poetry. In the West, poetry began with Eflatun, became a discipline that encompassed all the branches of art with Aristotle, and with the twentieth century it began to become autonomous in different kinds with the texts of currents and structural critics. In the Islamic world, Farabi, Kindi, etc. The name of the poetry was known for the work of Aristotle. In Turkish literature, a poetic structure based on tasavvufa was formed by the influence of Islam, and this poem has the basic principle of reflecting the divine reality with a metaphysical character. This understanding has been broken together with Ahmet Haşim and the poetics that reflect the ideas of literary communities in the Republic, as well as the individual poetics have emerged. In them the concept was used to express the theoretical writings and works of poetry, and the theoretical definitions of poetry, issues, discussions, structure, language, reader, vein, all of them were addressed in poetry. The Republic Period, the poet of the "New Islamic Stream" Mehmet Atilla Maraş has an important place in our literature with his poems feeding from tradition and religious values. The poet has revealed his versatile personality by assuming important tasks in the political, cultural and social fields not just poetry; he has expressed his personality in poetry and his thoughts on poetry through speeches, experimental books, conversations with him, poems and articles published in magazines. But these writings and speeches reveal the poet's poetic thoughts, though, are distorted. In this article, the writings and speeches of Mehmet Atilla Maraş will be gathered and gathered to identify poetry, poetry, and reader axis.

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