Özet:

Cahit Zarifoğlu (1940-1987) is one of the kilometres of modern Turkish literature. The artist, who began giving his first literary products in his high school years, has given many kinds of works, such as poetry, story, daily, novel, literary experimentation, fairy tale and theatre. But he is a poet who has a poetry name. Zarifoğlu, who has published a total of four poems, has discussed many subjects in his poems, such as self, the problem of existence, the East-West conflict, love, family and the destruction that modernization creates on the individual. One of the topics that attract attention in this wide range of themes is tasavvuft. When the life story of Cahit Zarifoğlu is reviewed, it is noticed that he grew up in a family where religious-tasavvufi traditions are strictly preserved and lived. In addition to this, the poet, in 1977, began to pass the tasavvufî practices into his life by enthusiasming from the Nakşî meşâhâhâhâhâhâhâh. Their close friends have emphasized that they have met from this date with a different Cahit Zarifoğlu portrait. All these mental and intellectual transformations have significantly influenced the content, language, and even the style and technical structure of the literary products the artist has presented. Specifically, the poem texts gathered under the titles of Menziller and Fear and Fear, in them contain countless traces from the perspectives of tasavvufi trends and word patterns. With the inner transformation the artist has experienced, the circumstances are very intense especially in his poems titled “Right to Freedom”, “Register”, “Acceptance”, “Ayna”, “Second Mirror”, “Menziller”, “Fear and Burning”, “Zahmet Time”, “Head Curved Language In the Meaning of Closed Eyes”. In this article, the poems of Zarifoğlu that attract attention from this point of view will be taken into account.

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