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İnaç, Çankırı’nın 8 km doğusunda kurulmuş bir köydür. Merkez ilçeye bağlı köyün eski camisi, Çankırı merkez ilçede bulunan ve Geç Osmanlı döneminden günümüze ulaşabilen 23 camiden biridir. Yapı, Anadolu Türk sanatında sıkça görülen dikdörtgen planlı, düz ahşap tavanlı camilerdendir. Bu çalışmamızda doktora tezimizin bir bölümünü meydana getiren İnaç Köyü Camisi’nin mimari özellikleri rölöve ve fotoğraflarla desteklenerek kısaca tanıtılacak ayrıca ünik alçı minberi üzerinde de durularak Anadolu Tür mimarisindeki yeri belirtilecektir. Kuzey güney yönünde boyuna dikdörtgen planlı caminin üzeri içten düz ahşap tavan dıştan kırma çatı ile örtülüdür. Duvarları sıvalı yapının inşa malzemesi kabayonu taştır. Düşey dikdörtgen biçimli pencereleri, sade cepheleri ve duvarları ile sıradan bir taşra yapısı izlenimi vermektedir. Ancak bu eser, içerisinde barındırdığı alçı mihrabı ve özellikle de ünik alçı minberi ile özel bir yere sahiptir. Maalesef uzun zamandır ibadete kapalı cami, içindeki bu değerlerle birlikte yok olmaya terk edilmiştir. Caminin minberi, mimari unsurları ve bezemeleri itibariyle genel minber özelliklerini taşımakla birlikte, yaptığımız araştırmada, alçı malzemeyle yapılmış başka bir minbere rastlamamamız nedeniyle, şimdilik ünik bir eser olarak Anadolu Türk Sanatı’ndaki yerini almıştır. Caminin ve özellikle minberin tanıtılıp, yetkililerin dikkatine sunularak, korumaya alınmasını sağlamak çalışmamızın aslî amacıdır.
Inaç Village is a village located in 8 km east of Chankırı. The old mosque of the village, which is connected to the central district, is one of the 23 mosques in the central district of Chankırı that survived from the late Ottoman period. The building is one of the mosques with a rectangular plan and flat wooden ceilings frequently seen in Anatolian Turkish art. In this study, the architectural features of Inak Village Mosque, which constitutes a part of our doctorate thesis, will be briefly introduced with a survey and photographs and also the special plaster minbar will be emphasized and its place in Anatolian Turkish architecture will be indicated. The rectangular planned longitudinal mosque is covered with a flat wooden ceiling from the inside and a hipped roof from the outside. The building material of the plastered walls is pitch-faced stone. Its rectangular windows, plain facades and walls give the impression of an ordinary rural structure. However, this work has a special place with the plaster mihrab and especially the plaster minbar which is unique. Unfortunately, the mosque, closed for a long time, has been left to disappear with these values. Although the minbar of the mosque has the characteristics of the general minbar in terms of its architectural elements and decorations, it has taken its place in Anatolian Turkish Art as a unique work since we did not come across another minbar made of gypsum material in our research. The purpose of our study is to introduce the mosque and especially the minbar and attract the attention of the authorities.
Inaç Village is a village located in 8 km east of Çankırı. The old mosque of the village, which is connected to the central district, is one of the 23 mosques in the central district of Çankırı that survived from the late Ottoman period. The building is one of the mosques with a rectangular plan and flat wooden ceilings frequently seen in Anatolian Turkish art. In this study, the architectural features of İnaç Village Mosque, which constitutes a part of our doctorate thesis, will be briefly introduced with a survey and photographs and also the special plaster minbar will be emphasized and its place in Anatolian Turkish architecture will be indicated. The rectangular planned longitudinal mosque is covered with a flat wooden ceiling from the inside and a hipped roof from the outside. The building material of the plastered walls is pitch-faced stone. Its rectangular windows, plain facades and walls give the impression of an ordinary rural structure. However, this work has a special place with the plaster mihrab and especially the plaster minbar which is unique. Unfortunately, the mosque, closed for a long time, has been left to disappear with these values. Although the minbar of the mosque has the characteristics of the general minbar in terms of its architectural elements and decorations, it has taken its place in Anatolian Turkish Art as a unique work since we did not come across another minbar made of gypsum material in our research. The purpose of our study is to introduce the mosque and especially the minbar and attract the attention of the authorities.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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