Özet:

The period of Servet-i Fünun was a period in which the works of art with an artistic style were brought to the fore. In these works, it is seen that Western aesthetics are tried to be created. The artists of this period were also interested in other branches of fine arts and also focused their attention on the work of art. Music and painting take the first place among the various fields of fine arts that offer important building materials to literature. In this context, painting and music constitutes one of the most important elements of Wealth-i Fünun period works. Wealth-i Fünun, which has an aesthetized language, has not only entered the repertoire of generation as a concept or theme, but has also been an element that determines their style. Tevfik Fikret / Cenap Şahabettin and Halit Ziya / Mehmet Rauf, who came to the forefront in poetry with the widespread conviction of literary histories of Servet-i Fünun period, were also interested in fine arts, especially painting and music branches. However, this curiosity of painting and music, which is not only in the dimension of interest, forms the background of their works. Halit Ziya, whose name has been integrated with the novel genre in Turkish literature and hasined this domination alone until today, writes about art besides fiction texts. However, Halit Ziya's art writings are not as popular as his novels. The power of his novels overshadows his criticism. The subject of this research is the place of music in Halit Ziya's works other than fiction texts and his approach to fine arts based on his views on music.

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