Özet:

Folk minstrelsy, which goes back to pre-Islamic age's poetry, has been named as '' minstrel'' since the end of 15th century. The folkway of minstrelsy, with the improvements and changes from 16th century to our day, has brought in a lot of names into our literature, such as Karacaoglan, Ercisli, Emrah, Asık Omer, Gevheri, Dadaloglu, Senlik, Ruhsati and Murat Cobanoglu. One of these important names is also Asık Veysel. In this article, we have tried to determine Asık Veysel's status whose most poems have been composed and sung in the form of turku and songs. As is known, there are some practices among the minstrels from the past to present. Having been accepted by the majority, these practices have created a minstrelsy tradition. This tradition includes minstrelsy, saz playing, being renamed(mahlas), wine drinking, falling in love after a dream, mentor system, minstrels encounters / duets, leb-degmez (which is a cultural and challenging way of performing a song with a needle between the lips that does not allow one to touch his lips while singing-InTurkish language, the letters are b,f,p,m,v that do not allow the lips to touch one another.), asking for unknown, determining dates and '' ı said - he said. '' Asık Veysel's artistry, when looking into these aspects, one can see his observance of playing the saz, being renamed, mentor system (partly), determining dates, whereas he fails to comply with not drinking wine from the Father's hand, lebdegmez, unknown , duets and '' ı said- he said '' style poem telling.

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