Abstract:

Geographical, religious and socio-economic changes in the history of Turkish culture have affected literary and aesthetic structures. The tradition of minstrelsy, whose source is based on the ozan-baksı tradition in Central Asia, has been shaped in these processes of change. The ozanlık/minstrelsy tradition has adapted to new cultural circles in terms of artist type, subject, shape and content characteristics from the pre-Islamic period to the present day. Artist type and creativity play an important role in the continuity of the tradition. A minstrel-type artist who is a carrier of social memory in an oral cultural environment has performed similar functions in written and electronic cultural environments. 20. in the Century, Media, which became widespread with the development of urbanization and communication technologies, were effective in the education of tradition representatives. In this process, on the one hand, the type of artist representing the tradition acquired new features, and on the other hand, it lost some of its characteristic features. In the article, Ozan Ali Dağcı discussed this approach. Information about the life and poems of Ozan Ali Dağcı and his views on the tradition of minstrelsy are recorded in the review conducted by interview method. Ozan Ali Dağcı's ability to sing poetry, play reeds and make bickering leads to the conclusion that it should be evaluated in the tradition of minstrelsy. Ozan Ali Dağcı's poems, based on oral, written and electronic cultural environment creativity, have content covering the village and village environment, urban life and popular culture. Climber is an example of updating the tradition of minstrelsy in New conditions and environment in terms of artist type, product and performance environment.

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