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The court, which was the center of the Ottoman Empire, was not only the center of the state but it was the center of art as well. After the Ottomans had enlarged its territories to rule over three continents and the state power and authority reached its peak position, the music of the court acquired its own identity. The music tradition finding its roots back in the courts of Timur and Herat developed its own style and aesthetic firstly in the Tulip Era, and then formed its own identity under the rule of Selim III. The effects of westernization movements, which began under the heading of Nizam-ı Cedid during the Selim III period, on music were inevitable. Moreover, the establishment of Muzıka-yı Humayun instead of the abolished Mehterhane by Mahmut II on the grounds of reinstating the political order in the society paved the way for the entrance of western band, western notation and western style into the court. In this article, the enterprises that were initiated in the name of westernization movements during the periods of Selim III, and his nephew, Mahmut II, in which the concrete effects of the westernization current asserted itself, the influence of these endeavors on Ottoman Court Music Identity, the historical outcomes of these effects were analyzed.
the court was the center of the style of the ottoman empire was not only the center of the state but it was the center of art as well after the ottomans had enlarged its signature to roulette over three slides and the state power and authority refusal was able to change the situation of the court of the change of the name of the music leader in the crimea of timur and heratified its own style and aesthetic firstly in the tulip era and then expanding its identity under the roulette of the seliminance of the change of the change of the change of the change of the change in the western language of the change in the change of the change of the goal of the change of the change of the change of the change of the goal of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the goal of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change of the change
Field : Sosyal, Beşeri ve İdari Bilimler
Journal Type : Ulusal
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