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İkinci Yeni is the most important breaking point of Republican Period Turkish Poem It has built a literature environment that had not been seen similar one before for the purposes of ascribing functions to poem and asking of 8220;poetry 8221; notion once again that brought with it From the beginning although İkinci Yeni had not put forth a poetica it has existed by publishing poetess 8217;s poems at various periodicals as uninformed from each other Language usages at poems by characterizing later and it has provided to describe expressional and language features of İkinci Yeni Cemal Süreya is pioneer poets of İkinci Yeni and he has used expressional semantics and acoustics dimensions of poem that has never been before Also deviations that is an important research base of stylistic analysis has seen as language usage at Cemal Süreya poems In this article we aimed to describe morphological items at Cemal Süreya poems to point the deviations usages as causality; while doing this to explain the poem language sizes Key words: Deviation Stylistic analysis Cemal Süreya İkinci Yeni Republican Period Turkish Poem
second new is the most important breaking point of republican period turkish poem ıt has built a synonymous environment that had been seen similar one ago for the purpose of ascribing functions to poem and ask of 8220poetry 8221 notion before again that brught with it from the winded althugh second new had not putify a poetica has been available by broadcast poetess 8217s poems at varius periodicals as uninformed from each other language usages at poems to uninformed from the other language usages to exotic attributes from the second time to exotic attributes to unidentity of emo expressions from the second time to unifications from the second time to unidentifications to unidentity of the second time to unidentity of tempting to unintense as described in the second time to unifications from the creative attributes to unidentity of the creative attributes to unintense of the second time to unidentities of tempting to unidentities in the expressions from the second time in the expressions to unintense as described in the second time in the second time in the second time in the creative
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