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Edebî eserler çeşitli anlatım teknikleriyle okura sunulur, farklı anlamlarıyla okurun karşısına çıkarlar. Sanatçı duygu ve düşüncelerini yeni bakış açıları geliştirerek farklı ifade yöntemleriyle eserine yansıtır. ‘İç monolog’ ve ‘bilinç akışı’ teknikleri de anlatma esasına bağlı edebî metinlere zenginlik katan yönleriyle farklı okumalara ve incelemelere konu olan anlatım tekniklerindendir. Bu iki yöntemle yazar sözü roman ve hikâye kişisine emanet ederek, metinle okuru birbirine yaklaştırır. Okuru doğrudan doğruya kahramanın iç dünyasıyla karşı karşıya getirir. Okur, böylece metin üzerinde düşünmeye, metni anlamlandırmaya ve tamamlamaya çalışır. ‘İç monolog’ ve ‘bilinç akışı’ modernist edebiyatta sıkça kullanılan anlatım teknikleridir. Oğuz Atay da Türk edebiyatında modernist edebiyatın özgün bir temsilcisi olarak roman ve hikâyelerinde bu iki anlatım tekniğini çokça kullanmıştır. Bu yazıda Atay’ın modernist anlatım teknikleri bakımından oldukça zengin bir metin olan “Unutulan” hikâyesi ‘iç monolog’ ve ‘bilinç akışı’ tekniği açısından tahlil edilecektir. Yazıda öncelikle iç monolog ve bilinç akışı teknikleriyle ilgili kavramsal bir değerlendirme yapılacak, ardından Atay’ın eserlerinde bu teknikleri ele alışı ve yazın dünyasında bu tekniklere bakışı tartışılacaktır. Yazıya konu olan “Unutulan” hikâyesi belirtilen anlatım tekniklerinin kullanımı açısından incelenecektir. Bu tekniklerin anlatıma kattığı değer belirtilerek metnin farklı anlamları ve zengin çağrışımları ortaya konmaya çalışılacaktır. Hikâye kişisi, anlatıcı ve bakış açısı çevresinde bireyin iç konuşmaları, bilincinden geçenler, aile ilişkileri, yaşama ve ölüme dair tasavvurları, modern hayatın içindeki duruşu bu iki anlatım tekniğinin işlenişinden hareketle anlatılacaktır.
Literary works are presented to the reader with different narrative techniques, and they come to the reader in different meanings. The artist reflects his feelings and thoughts in his work by developing new perspectives with different methods of expression. The 'internal monologue' and 'conscious flow' techniques are also one of the narrative techniques that are subject to different readings and examinations with the aspects that add richness to the literary texts related to the essence of narration. In these two ways, the writer, by entrusting the word to the novel and the story person, approaches the text and the reader to each other. The reader directly faces the inner world of the hero. Read, thus trying to think about the text, understand and complete the text. The 'internal monologue' and the 'flow of consciousness' are the narrative techniques that are commonly used in modernist literature. As an original representative of modernist literature in Turkish literature, Son Atay has used many of these two narrative techniques in his novels and stories. In this article, Atay's "forgotten" story, a very rich text in terms of modernist narrative techniques, will be evaluated in terms of the "internal monologue" and the "conscious flow" technique. The text will first be a conceptual assessment of the internal monologue and the techniques of consciousness flow, then the work of Atay will discuss the dealing with these techniques and the view of these techniques in the summer world. The "forgotten" story, which is the subject of the text, will be studied in terms of the use of the indicated narrative techniques. The value that these techniques add to the narrative will be pointed out, trying to reveal the different meanings of the text and rich calls. The person of the story, the narrative and the perspective surrounding the individual’s inner speeches, the passing of consciousness, family relationships, the drawings of life and death, the position within modern life will be described in motion from the processing of these two narrative techniques.
The literary works are presented to the reader with various narrative techniques and they meet the reader with different meanings. The artist reflects his/her feelings and thoughts on his/her work with different expressions by developing new perspectives. "Interior monologue" and "stream of consciousness" are techniques that add value to the literary texts based on narrative methods, thus they have been subject to different readings and reviews. With these two techniques, the writer entrusts the word to the character in the story and novel and brings the reader closer to the text. She/he makes the reader face the hero's inner world. In this way, the reader tries to make sense of the text and to complete it. "Interior monologue" and "stream of consciousness" are among the most frequently used narrative techniques in modernist literature. As a unique representative of modernist literature in Turkish literature, Oguz Atay has used these two narration techniques in his novels and stories. In this study, we will examine Atay's " The Forgotten", which is a very rich text in terms of modernist narrative techniques, in terms of "interior monologue" and "stream of consciousness" techniques. In the paper, we will first make a conceptual evaluation of the "interior monologue" and "flow of consciousness" techniques, then discuss how Atay approaches these in his works and his view of these techniques in the world of literature. We will examine "The Forgotten" in terms of the use of the narrative techniques mentioned. We will try to reveal the different meanings and rich connotations of the text by specifying the value added by these techniques. Around the character, storyteller, and perspective, we will discuss individual's interior speech, conscious, family relation, thoughts of life and death, and place in modern life with reference to use of these techniques.
Field : Filoloji
Journal Type : Ulusal
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