Abstract:

Russians have been a special place among the nations that raised qualified artists and brought in important artworks to world literature and art. Especially in the 19th and 20th century, in addition to authors such as Gogol, Tolstoy, Dostoyevsky, Ostrovsky who left an important impression in art and literature, the names in theatre like Meyerhold, Danchenko, Vakhtangov, Stanislavsky etc. have been representatives of cultural generation has a distinctive line in Russian art ecole. After the Bolshevik Revolution, Socialist regime that has embraced cultural and artistic heritage of Tsarist Russia has brought a system to improve this heritage despite ideological discrepancy and it has continued own existence with this method. The existence of theorists who has made an appearance in the world in the field of education, culture and art coincides with this term undoubtedly, but in our country not enough study has been done about what kind of innovations have been made in Post- Soviet Russia. The paths tracked in performing arts in the 21st century and the period of change followed by Russian theatre in Post-Soviet Russia under the impact of globalization form the main schema of this article. The article offers a perspective in accordance with the new paradigms of the period.

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