Abstract:

Consumer gazels are poems written by at least two persons. In this style of poems, in which a particular procedure is followed, myrra or beits are taken according to the order determined by the poets. In order to prevent the confusion of the musicians, the names of the poets or the first letters of their names are written on the mısra/beyit head. The first examples of poetry on the sovereign level are seen in the Arab literature of the ignorance period. This tradition has beenined more in the Turkish literature in the Gazel field. The first example of the Gazelin in Divan literature, XVI. It is written by the poet of the century and by Ahî and Vasfi. The XIX. In the century there was an increase in the client gazel writing tradition, XX. It was continued in the century. One of those who follow this style is Refîk-i Tarsusî. Three of the poet’s tribes were recorded in the book of Ezhar Yehud Mecmûa’i Ashar. These gazels, Refîk-i Tarsusî and Kayserili both were taken by Osman Azmî and Sheikh Serî. In this study, the source of the gazel by client, the concept of the gazel by client, the reflections in the divan poetry were studied, the Refîk-i Tarsusî and Ezhâr Yâhûd Mecmû'a-i Eş'âr were introduced, the information about Osman Azmî and Sheikh Serî was given by client, the transcripted texts of the gazels were given.

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