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  Citation Number 3
 Views 78
 Downloands 46
Turk-i̇slam Sanati Geometri̇k Suslemesi̇nde Ali̇ İsmi̇ni̇n Uc Kollu Carka Uyarlanmasi
2019
Journal:  
Akademik Hassasiyetler
Author:  
Abstract:

İnsanlar çağlar boyunca maddi nesnelere ve manevi kavramlara farklı anlamlar yüklemiştir. Olumlu ya da olumsuz düşünülen bu anlamlar çeşitli şekillerde sembolleşmiştir. Sayılar ve sayı sistemleri her kültür ve inanç içerisinde kendi sayı sembolizmini doğurmuştur. Özel anlamlar yüklenen sayılardan biri de üç sayısıdır. Bu sayı, başlangıcı, ortası ve sonu olan ilk rakamdır. Çalışmamızda üç sembolizminin çeşitli dinlerde ve kültürlerde karşılığı irdelenmiştir. İslam öncesi Türk inancındaki yeri araştırılmış ve Türk-İslam sentezi içerisinde nasıl Hz. Ali ile bağdaştırıldığı üzerine görüş belirtilmiştir. Türk-İslam geometrik süslemelerindeki üç kollu çarklarda “Ali” ismi şeklinde yazılan örnekler verilmiş ve bunların süsleme özellikleri üzerinde durulmuştur. Türk-İslam döneminde on iki eserin geometrik süslemesinde “Ali” ismi şeklinde tasarlanan üç kollu çark tespit edilmiştir. Bunlardan yedisi Selçuklu dönemine tarihlenirken, biri Beylikler (Aydınoğulları), üçü de Osmanlı dönemine tarihlenmektedir. “Ali” ismi dini, ticari, eğitim yapıları gibi pek çok yapı grubunda kullanılmıştır. Son olarak çizimlerle ve fotoğraflarla kendi içerisinde değerlendirilen örneklerin benzer ve farklı özellikleri ortaya konulmuştur. Bu süslemenin Türk sanatındaki yeri ifade edilmiştir.

Keywords:

The Turkish-islamic Art Geometric System Of Ali's Three Collars Warning
2019
Author:  
Abstract:

Thro the ages, people have given different meanings to material objects and spiritual concepts. These meanings, with positive or negative connotations, have been symbolized in various ways. Numbers and number systems have created their own number symbolism in every culture and belief. One of the numbers loaded with special meanings is the number three. This is the first digit with the beginning, middle and end. This study examines the correspondence of three symbolisms in various religions and cultures. Its place in pre-Islamic Turkish faith is investigated and how it is associated with Hz. Ali in the Turkish-Islamic synthesis is interpreted. In the three-arm wheels on the Turkish-Islamic geometric ornaments are shown in the examples written in the form of Ali's name and their ornamental properties are emphasized. Three-armed wheels designed as "Ali" was identified in the geometric decoration of twelve works during the Turkish-Islamic period. Seven of these dates from the Seljuk period, while one is the Anatolian Dynasties and three dates from the Ottoman period. The name "Ali" is used in many building groups such as religious, commercial and educational buildings. Finally, the examples evaluated in their own inside with drawings and photographs are shown to have similar and different features. The place of this ornament in Turkish Art is explained.

Keywords:

2019
Author:  
Abstract:

Throughout the ages, people have given different meanings to material objects and spiritual concepts. These meanings, with positive or negative connotations, have been symbolized in various ways. Numbers and number systems have created their own number symbolism in every culture and belief. One of the numbers laden with special meanings is the number three. This is the first digit with the beginning, middle and end. This study examines the correspondence of three symbolisms in various religions and cultures. Its place in pre-Islamic Turkish faith is investigated and how it is associated with Hz. Ali in the Turkish-Islamic synthesis is interpreted. In the three-arm wheels on the Turkish-Islamic geometric ornaments are shown in the examples written in the form of Ali's name and their ornamental properties are emphasized. Three-armed wheel designed as “Ali” was identified in the geometric decoration of twelve works during the Turkish-Islamic period. Seven of these date from the Seljuk period, while one is the Anatolian Dynasties (Aydınoğulları) and three date from the Ottoman period. The name “Ali” is used in many building groups such as religious, commercial and educational buildings. Finally, the examples evaluated in their own inside with drawings and photographs are shown to have similar and different features. The place of this ornament in Turkish Art is explained.

Keywords:

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Akademik Hassasiyetler

Field :   Sosyal, Beşeri ve İdari Bilimler

Journal Type :   Ulusal

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Cite : 1.039
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