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“DEDE KORKUT KİTABI”NIN KOMPOZİSYON ÖZELLİKLERİ VE ŞİİR SANATINA DAİR
2019
Journal:  
Motif Academy Journal of Folklore
Author:  
Abstract:

“Dede Korkut Kitabı”nın boyları belli bir kahraman etrafında cereyan eden olayları aktarmaktadır ve bu durum ozan Korkut’un adıyla ilişkilendirilmiş Oğuznamelerin iki düzlemi (kompozisyon özellikleri ve şiir sanatı) hakkında fikir söylemek için ciddi esastır. “Dede Korkut Kitabı”nı tertip eden kâtip, muhakkak her biri bağımsız olarak mevcut olan on iki oğuz boyunu tek kitapta bir araya getirmiştir. “Dede Korkut Kitabı”nın boylarında olayların gelişimindeki süreksizlikte görülen kompozisyon düzensizliği de bununla ilgilidir. “Dede Korkut Kitabı”nın bazı boyları aynı kahramanla, benzer olaylarla ilgili olsa da, kronolojik açıdan bunların kitapta farklı düzenlemelerle yer alması gerekirdi. Örnek olarak, öncelikle Salur Kazan hakkındaki bilginin (ikinci, dördüncü, on birinci boylar) ikinci boyda verildiğine dikkat edebiliriz. Bu boyda Kazan Han oğlu Uruz, bağımsız konumdadır, hatta beyler avlanmaya giderken ona üç yüz yiğitle yurdu korumak görevi verilir. Dördüncü boyda Kazanın oğlu yetkinlik yaşına yeni ermiş ve boyda söz edildiği gibi “baş kesip kan dökmemiştir”. Kazan Han avlanmayı ve savaşmayı öğretmek amacıyla Uruz’u kendisiyle beraber ava götürür. Böylece, ikinci boya nispetle bu boy bünyesinde daha eski çağın olaylarını bulundurur. Oğuzname geleneğinin kompozisyon özelliği, Oğuz varislerinin destanları için karakteristik olan nazım kısımlarının nesirle verilmesinde görülmektedir. Pek çok Türk destanında olduğu gibi Dede Korkut Kitabında da şiirle adeta kahramanların diyalogları ve atışmaları verilmektedir. Bu açıdan, Dede Korkut dilinin heyecan verici katmanı doğrudan terennüm (apologetik) muhtevalı şiirlerle ortaya konulur.    

Keywords:

The "Daddy's Fear Book" is dedicated to the composition characteristics and art
2019
Author:  
Abstract:

Clans of Dede Qorqut narrates events occurring around a certain hero and such a condition was a serious basis to offer opinion about two levels (characteristics of composition and poetry) of Oghuzname which were related to the name of bard Qorqut. The clerk who was compiling the book of Dede Qorqut in a single book collected all twelve books each of which belongs to separate oghuz clan independently. Irregularity of composition seen in discontinuity of developments of the events in clans of the book of Dede Qorqut is also related to this matter.  Although some clans of Dede Qorqut are related to the same hero and similar events, in chronological perspective, they should have been appearing in the book with different arrangements. For Instance, we can pay attention to the fact that information on Salu Kazan (second, fourth, eleventh clans) is first given in the second clan. In this clan, Kazan Han's last Uruz is in independent condition, moreover, when the men go hunting, he is accredited to protect the homeland with three hundred brave men. In the fourth clan, the end of Kazan has just reached the age of competence and "did not shed blood by beheading". Kazan Han takes Uruz with him for hunting in order to teach him hunting and fighting. Thus, in comparison to the second clan, this clan incorporates events of more historic ages.     Composition features of Oghuzname tradition are seen in verse presentation of prose sections that is classical for the epics of Oghuz successors. As in many epics of the Turks, in the book of Dede Qorqut, dialogues of the heroes and their alterations are illustrated in poems. Therefore, exciting layer of Dede Qorqut language is directly revealed by poems with apologetic content.

Keywords:

About Composition Characteristics Of Dede Qorqut Book and Poetry
2019
Author:  
Abstract:

Clans of Dede Qorqut narrates events occurring around a certain hero and such a condition was a serious base to offer opinion about two levels (characteristics of composition and poetry) of Oghuzname which were related to the name of bard Qorqut. The clerk who was compiling the book of Dede Qorqut in a single book collected all twelve books each of which belongs to separate oghuz clan independently. Irregularity of composition seen in discontinuity of developments of the events in clans of the book of Dede Qorqut is also related to this matter.  Although some clans of Dede Qorqut are related to the same hero and similar events, in chronological perspective, they should have been appearing in the book with different arrangements. For Instance, we can pay attention to the fact that information on Salu Kazan (second, fourth, eleventh clans) is firstly given in the second clan. In this clan, Kazan Han’s son Uruz is in independent condition, moreover, when the men go hunting, he is accredited to protect the homeland with three hundred brave men. In the fourth clan, the son of Kazan has just reached the age of competence and “did not shed blood by beheading”. Kazan Han takes Uruz with him for hunting in order to teach him hunting and fighting. Hence, in comparison to the second clan, this clan incorporates events of more historic ages.     Composition features of Oghuzname tradition are seen in verse presentation of prose sections that is classical for the epics of Oghuz successors. As in many epics of the Turks, in the book of Dede Qorqut, dialogues of the heroes and their alterations are illustrated in poems. Therefore, exciting layer of Dede Qorqut language is directly revealed by poems with apologetic content. 

Keywords:

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Motif Academy Journal of Folklore

Field :   Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler

Journal Type :   Ulusal

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Motif Academy Journal of Folklore