With Intertextuality, which has been emerging as a method of postmodern teaching, there’s been changes and developments experienced in an artistic sense. The change which’s been started with the intertextuality examining the relationship between the two texts, has prepared the ground of forms of work such as intersemiotic and reproduction with dominating the other branches of art. This work forms also led to the production of works of art in this direction as putting forward a polyphonic structure in the modern art. Thus, paved the way for new approaches and has been Doç. Dr., Süleyman Demirel Üniversitesi Güzel Sanatlar Fakültesi Grafik Bölümü, ISPARTA, tel: 0246. 2113561 email: [email protected] *Bu makale, Süleyman Demirel Üniversitesi Güzel Sanatlar Enstitüsü Bilimsel Araştırma Projeleri Koordinasyon Birimi 3206-‐YL1-‐12 no’lu Yüksek Lisans Tez projesinin verilerinden yararlanarak oluşturulmuştur. Süleyman Demirel Üniversitesi Güzel Sanatlar Enstitüsü Grafik Anasanat Dalı, Yüksek Lisans Öğrencisi. created an unlimited field of inquiry. Contemporary art shaped in this direction with preparing the ground for exchanges between different disciplines. The art of photography is one of the disciplines which establishes a relationship and is one of the most purchasing with other disciplines of art in this polyphonic environment. Therefore, under study, intersemiotic working methods and using these methods in art of photography will be discussed by questioning how to using them. In this context, intersemiotic working methods such as quote, emulation, mirroring, imitation, confidential quote / plagiarism and collage / bricolage has been explained with esamples of photography to describe the exchanges of intersemiotism.
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