Abstract:

Classical Turkish literature, especially XVI. After a century, it has formed a literary tradition in which meaning and aesthetics are important, and even mostly meaning is above meaning. The XVI. Bâkî, one of the important poets of the classical Turkish literature of the century, is a poet who has paid too much attention to the sound, speech and style characteristics in his poems. The poetry style of Bâki is mostly decorative and has an aesthetic structure. The poems in which the use of rhythm and harmony is very successful show that Bâkî is a voice and speaking poet. One of the speaking characteristics that Bâkî frequently applies to in his poems is the beginnings of the poem known as "berâat-i istihlâl" with a spectacular style and a remarkable expression. In the poems based on the study in this carefully studied Bâkî Dîvânı, it appears that the traditional Ottoman poetry begins with entries that can be an example of the art by means of a series of practices of poetry. In the words of the Holy Prophet (peace and blessings of Allah be upon him), the words of the Holy Prophet (peace and blessings of Allah be upon him), the words of the Holy Prophet (peace and blessings of Allah be upon him), the words of the Holy Prophet (peace and blessings of Allah be upon him), the words of the Holy Prophet (peace and blessings of Allah be upon him), the words of the Holy Prophet (peace and blessings of Allah be upon him), the words of the Holy Prophet (peace and blessings of Allah be upon him), the words of the Holy Prophet (peace and blessings of Allah be upon him) and the words of the Holy Prophet (peace and blessings of Allah be upon him). In this study, we will explore how and with what methods the art of Berâat-i istihlâl is used in the poems of Bakî in the Turkish Divan.