Özet:

Jean Genet, who is a different from his birth, deals with others like himself in his works. Genet’s rejection of the self-autodetermining society reflects in the form of a bombardment of intense social criticism of his works. Specifically in the late period, Genet, which is not only the social structure with his works, is actively taking its place alongside the other. Through this, Genet, on the one hand, encounters and supports people from many parts of the world fighting for their rights and freedoms, and on the other hand, gets the opportunity to see the fraud of the “West” from the outside. The writer’s work, Paravans, is great in terms of exposing this falsehood to the eyes. In the Paravanes, which discusses the struggle for the freedom of the Algeria in the occupation of France, Genet offers a grotesque image of the East, starting from the charismatic philosophies of Europe. This is done in order to ensure that the reader/spectator does not establish an identity between the players and the critical perspective is constantly protected. Thro the game, holding thought on the forefront makes social roles and gender questioned while pointing out how and in what form the colonial speech finds its place in a colonized country. The objective of this study is to track the traces of colonial speech with the charcoal fiction in Jean Genet's play The Paravans, to evaluate the way the author deals with them.

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