Özet:

Cinema is a field of art that reflects social, cultural, economic and politic cases and hands such cases down the next generations. History of cinema includes various movies that address social cases. History of Turkish cinema also has many films themes of which are cases (social, economic, cultural, etc.) that have an impact on society. Within this scope, one of the cases that causes economic, social and cultural transformation of Turkey is internal migration movement from Anatolia to metropolitans. Especially in 1950-1980 internal migration is seen in Turkish movies. A movie poster reviewed in this study in terms of internal migration phenomenon, the movie named Gurbet Kuşları directed by Halit Refiğ and produced in 1964 addresses the migration phenomenon in various aspects. This study reviews “Gurbet Kuşları” movie poster within the context of Roland Barhes’ denotation-connotation dichotomy within semiotic analysis. The reason why this method is used in this study is concepts of denotation-connotation are used as a systematic method for review in analysis of posters. Migration phenomenon is identified in indicators on Gurbet Kuslari movie poster within the scope of the study. There are various academic studies on poster works. This study aims to determine the way relationship between migration phenomenon addressed in the movie and poster is structured visually and contribute to academic literature on this matter. İn the study, it was determined that the phenomenon of internal migration on the movie poster was presented in terms of literal-connotation binary structure.

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