Özet:

Turkish decoration art is an important heritage of the past as material cultural documents. Turkish artists have a lot of diversity in themes. There are different scientific groups about these grades, such as geometric, figurative, plant, animal, written, architectural, landscape, objective, symbolic and cosmic. These groups are sometimes evaluated in terms of form and sometimes meaning. In terms of meaning, some groupings can be treated in the same scope as in the symbolic and cosmic. The heavenly bodies containing symbolic meanings are considered sacred in almost every civilization and for this purpose are sculptures, books, statues, bubbles, scripts, silk, tablets, etc. It is placed in various forms. One moon, one star, or the symbolic symbols of the moon-star together in each nation have different meanings charged to the moon-star motivation. In the Turkish mythology, various events have been understood together with the moon, the sun and the great stars, which are the reward of important beliefs. Since the acceptance of Islam, it is mostly seen in textiles as a symbol of state and army. Motive of the moon-star in the Turkish Islamic history, as in stone, wood, mining works, in the textile field, it has also been an element of decoration of carpet, kilim, work-leme, printing, writing and fabric products. In Turkish fabric, the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs of the motifs. The study of the development of the motif of the moon-star, the description of the different forms drawn from the documentation and the identification of the technical characteristics of the existing samples are the objectives of this study. This research is considered important in terms of the exposure of the motifs of the moon-stars in the tissues. Research is an illustration work in the screening model. The universe of the study is made up of moon-star motivation, and the sample is made up of eighteen Turkish tissues with moon-star motivation designed by texture. The inventory numbers of the fifteen tissues in which the motif of the moon-star is included, the museums, centuries, species, raw materials, sizes and pattern reports are repeated in the table. Technical analyses of the three available fabric samples have also been made. These analyses were evaluated and tried to determine the technical, material, color and pattern characteristics of the period in which the fabric was touched. It is known that holded moon-star-motivated fabric is used around the palace and by the public for clothing and placement in important events or days. Moon-star motivation in the XVI-XVIII fabric. It was used in large forms between the centuries, XIX-XX. It has been used in small forms for centuries. According to the periods, the moon-star shapes are large in the form of small inner hills, the sun in the hills, the roset shapes, while the XVIII. Eight in the 20th century. At the beginning of the century, it took the form of five corner stars. The motifs of the moon-star have been touched with different techniques in the crack cage, Bursa ventle, Halep cage, Belt cage, Harput cage, Harput cage, cage, cage and cage tissue. In the 20th century, where national emotions were intense, the moon-stars were applied with the shape of the flag of the Republic of Turkey.

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