Özet:

Muallim Naci, one of the important artists of the Tanzimat Period, is a well-known artist who has been included in the literary collection in the second half of the century, in a short life that has not even found fifty years, in the fields of poetry, text, story, article, letter, literary history, painting, memory and experimentation. But his main reputation is the place where he actually gained his poems, translations and textbooks. In addition to these three basic fields, there is another very unknown aspect of Muallim Naci: Naci is a poet with his works in the genre of manzum story. But the art of his front has not given the attention to it. In Turkish literature, the tradition of writing the story of manzum, which progresses through the mesnevites, has not seen interest in the first period of Tanzimat literature, but has been revived thanks to Abdülhak Hâmid and Sami Paşazâde Sezai and Muallim Naci, who are in the second generation. The foundation of the mutuality from the Destan tradition, in this period, passed from a formal transformation with the creation of translations from the West, so manzum historianism entered a new time of mutuality. Muallim Naci has given an important part of his life to his Ottoman and Islamic history research. Moses and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews, and the Jews. The work he has written “to create a tragedy” with his own expression takes the subject from the Islamic history. In our study, we will be conducting examinations on the form and nature of the work that has been translated only into Latin letters.

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