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Osmanlı imparatorluğunun 15. yüzyıldan 20. yüzyılın başlarına kadar uzanan geniş zaman diliminde üretildiği bilinen seramik, farklı merkezlerin varlığı sebebiyle günümüze kadar gelebilmiştir. Bu merkezlerin en önemlilerinden olan İznik, Kütahya ve Çanakkale, Osmanlı devletinin kurulmasından yıkımına kadar olan sürenin tamamını eksiksiz bir şekilde doldurmaktadır. 16-17 yüzyıllarda Osmanlı döneminde üretilen seramikler gerek teknik, gerekse sanatsal yönlerden en mükemmel çağını yaşamıştır. İznik bu dönemde seramik üretim merkezi olmuştur. 17. yüzyıldan itibaren renk ve sırlarda başlayan olumsuz değişmeler, zamanla kalitesinin düştüğü, 18. yüzyılda ise tamamen gerilemeye başladığı görülür. İznik’ten ayrı üretim yapan Kütahya bu dönemde önemli seramik merkezi olarak öne çıkmaktadır. 17-20. yüzyıllar arasında Çanakkale, Kütahya seramikleri ile birlikte üretim yapan bir diğer merkez olarak bilinmektedir. Kütahya’da seramik üretimini durması ile birlikte Çanakkale seramikleri önem kazanmıştır. Çanakkale’de üretilen birçok kapalı (küp, kavanoz, sürahi. v.b.) ve açık (tabak, kâse. v.b.) formlu seramik bulunmaktadır. Bu tip seramiklerin haricinde biblo olarak isimlendirilen hayvansal biçimli kaplara da rastlanmıştır. Bibloların arasında en dikkat çeken hayvansal biçimli kaplar arasında “kanguru” olarak isimlendirdiğimiz formlar bulunmaktadır. Türk sanatında yer almayan kanguru biçimlerinin birden bire Çanakkale seramiklerinde görülmesi ve araştırmacılar tarafından ele alınmaması sebebiyle araştırma amacımızı oluşturmuştur. Bu çalışma, yaşam alanı Avustralya olan kanguruların dünya sanatında görülmeye başladığı zaman aralığını belirleyebilmek ve Osmanlı döneminin önemli seramik merkezlerinden birisi olan Çanakkale’de görülen Kanguru biçimli bibloların kimlerden, nerelerden etkilenerek seramik biblo haline getirildiklerini tespit edebilmek amacını taşımaktadır. Bu konu da yapılan çalışmalara bakıldığında Çanakkale seramikleri konusunda genel bir bilgi verildiği görülmektedir. Kaynaklarda, çalışılan bu konu hakkında detaylı bir bilgiye rastlanmamaktadır.
Pottery, which is known to have been produced over a long period of time from the 15th century to the beginning of the 20th century, has survived to the present day due to the existence of specific production centers. A few of the most important of these centers, Iznik, Kütahya and Çanakkale completely fill the time period from the establishment of the Ottoman state to its demise. The ceramics produced during the Ottoman period in the 16th and 17th centuries had their greatest times not only in technical aspects but also artistic aspects. Iznik became the center of ceramic production in this period. From the 17th century onwards, negative changes in colors and glazes were observed. Improvements in quality decreased over time, and in the 18th century began to decline completely. Kutahya, which produces separately from Iznik, stands out as an important ceramic center in this period. Between the 17th and 20th centuries, Çanakkale was known as another center of production alongside Kütahya ceramics. With the decline of ceramic production in Catania, Catania ceramics gained importance. There were many closed (cube, jar, jug, etc.) and open (plate, bowl etc.) CERAMICS PRODUCED IN CHANAKKALE. In addition to these types of ceramics, animal-shaped vessels called trinkets were found. Among the most noteworthy animal-shaped vessels are those forms that we call "kangaroo". Given that these kangaroo forms (which are not typically rendered in Turkish art) appeared so suddenly in Chanakkale ceramics and these forms haven't previously been researched, this has formed the basis of our research. The first goal of this study is to pinpoint the timeline in which the kangroos, whose habitta is Australia, emerged in the world art. Furthermore, it was aimed to determine from who and from where they were affected in the process in which kangaroo shaped figurines seen in Çanakkale, which is one of the important ceramic centers of the Ottoman period, were turned into ceramic figurines. When we look at previous studies on this subject, we can see that only general information is given about Chongqing and that there is no detailed information available regarding this subject in scientific sources.
Pottery, which is known to have been produced over a long period of time from the 15th century to the beginning of the 20th century, has survived to the present day due to the existence of specific production centers. A few of the most important of these centers, İznik, Kütahya and Çanakkale completely fill the time period from the establishment of the Ottoman state to its demise. The ceramics produced during Ottoman period in the 16th and 17th centuries had their greatest times not only in technical aspects but also artistic aspects. Iznik became the center of ceramic production in this period. From the 17th century onwards, negative changes in colors and glazes were observed. Improvements in quality decreased over time, and in the 18th century began to decline completely. Kütahya, which produces separately from İznik, stands out as an important ceramic center in this period. Between the 17th and 20th centuries, Çanakkale was known as another center of production alongside Kütahya ceramics. With the decline of ceramic production in Kütahya, Çanakkale ceramics gained importance. There were many closed (cube, jar, jug, etc.) and open (plate, bowl etc.) ceramics produced in Çanakkale. In addition to these types of ceramics, animal shaped vessels called trinkets were found. Among the most noteworthy animal-shaped vessels are those forms that we call “kangaroo”. Given that these kangaroo forms (which are not typically rendered in Turkish art) appeared so suddenly in Çanakkale ceramics and these forms haven’t previously been researched, this has formed the basis of our research. The first aim of this study is to pinpoint the timeline in which the kangroos, whose habitta is Australia, emerged in the world art. Furthermore, it was aimed to determine from who and from where they were affected in the process in which kangaroo shaped figurines seen in Çanakkale, which is one of the important ceramic centers of the Ottoman period, were turned into ceramic figurines. When we look at previous studies on this subject, we can see that only general information is given about Çanakkale ceramics and that there is no detailed information available regarding this subject in scientific sources.
Alan : Güzel Sanatlar; Mimarlık, Planlama ve Tasarım
Dergi Türü : Ulusal
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