Özet:

The subject of the study consists of the early Byzantine period's picturesque religious manuscripts. The purpose of this study is to classify the relevant manuscripts in the light of the research carried out on the subject, to compare themes, characteristics, production places and materials, and to compare them with the manuscripts where similar characteristics are identified. In the work carried out in the museums and libraries, under the title Quedlinburg Itala (Ms. Theol. and lat. and fol. 485 / LDAB 8476), Ashburnham Pentateuch (Ashburnham Pentateuch MS nouv. by ACQ. and lat. 2334 / LDAB 8110), the Rabbula Bible (Rabbula Gospel Cod. and Plut. I,56 / LDAB 115232), The Syrian Bible of Paris Cod. and sir. 341 / LDAB 115270), the Holy Augustus Evangelies (Cambridge, Corpus Christi College 286 / LDAB 7481), the British Library Canon Tables (London, British Library Add MS 5111 / LDAB 7151), Cotton Genesis (Lond.Cotton Otho B.IV / LDAB 3242) were studied, while under the title of Early Byzantine Period Purpura Codes the Rossano Evangelies (Codex Purpureus Rossanensis / LDAB 2990), the Sinop Evangelies (Codex Purpureus Sinopensis Paris, Suppl. by Gr. 1226 / LDAB 2902) and the Genesis of Vienna (Vindob. by Theol. by gr. 31 / LDAB 3078) handwriting is handled separately. As a result of the assessments, it is important that the pictures of the Holy Book find place in the Orthodox Byzantine faith; in addition, it is important that only the scenes of the Old Testament have been depicted without being included in the subjects of the New Testament, as in the example of the manuscript of the Genesis of Vienna, in relation to the tradition established by a newly established faith. The influence of the Hellenism culture of Jewish art leads to the use of the Old Testament subjects in Christianity subjects, and the scientific data shows in what forms different cultures are added to each other in a geographical and historical sense.

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