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Bu çalışmanın amacı sanayileşmeyle değişen üretim süreçlerinin geleneksel meslekleri nasıl etkilediğini göstermektir. Bu bağlamda odağına Devrek Bastonu’nu yerleştiren çalışma, sanayileşmenin toplumsal değişmelerle ilişkisini, bastonun dönüşüm hikayesiyle birleştirmiştir. Geleneksel mesleklerin makine karşısında direncini kaybettiğini varsayan çalışma, modern üretim sisteminin beslediği tüketim toplumu içerisinde nesneleşmelerine vurgu yapmıştır. Devrek Bastonu’nun atölyeden fabrikaya geçiş süreci nesneleşmenin sonucu olarak düşünülmüştür. Daha fazla kar güdüsü ve işin getirdiği maliyeti azaltma kaygısı “kızılcık ağacından yapılma” bastonu, odundan yapılan bir “tahtaya” dönüştürmüştür. Tahtaya dönüşen baston, üzerinde ustanın ürettiği bütün anlamlı pratikleri de kaybetmiştir. Çalışmada nitel araştırma deseni kullanılmıştır. Devrek’te 10 baston ustasıyla görüşmeler yapılmıştır. Veriler, “sorunlar ve mesleğin anlamlandırılması”, “makineleşmenin bastonculuk kültürü üzerine etkisinin keşfedilmesi” ve “mesleğin gelecek kuşaklara aktarılması güçlüğü” şeklinde üç temel başlıkta çözümlenmiştir. Çalışmada makineleşmenin bastonun değerini düşürdüğü ve turistik bir metaya dönüştürdüğü ulaşılan önemli bir sonuç olmuştur.
The aim of this study is to show how manufacturing processes that change with industrialization influence traditional professions. In this context, the work that focuses on the Devrek Bastone has combined the relationship of industrialization with social changes with the story of the transformation of the Bastone. The study, which assumes that traditional professions lose their resistance to machines, has emphasized their objectivity within the consumer society in which the modern production system feeds. Devrek Bastonu's transition from the workshop to the factory was considered as a result of objectivization. More snow drive and worries about reducing the cost of the work have transformed the "made from a red tree" stick into a "tail" made from wood. The baston turned to the table, also lost all the meaningful practices the master produced on it. The research has been used in research. There were 10 conversations with the master's bastons in Devrek. The data has been resolved in three main titles, "Problems and the understanding of the profession", "Discovery of the impact of machinery on the culture of stumbling" and "The difficulty of transmitting the profession to future generations". In the study, it was an important result that machinery reduced the value of the baston and converted it into a tourist object.
This study aims to determine how production processes that change with industrialization effect the traditional profession. In this context, the study, which has placed the Devrek Walking Stick in its focus, combined the relationship of industrialization with social changes with the transformation story of the walking stick. The study, which assumes that traditional professions have lost their resistance against the machine, emphasized their objectification within the consumer society supported by the modern production system. The transition process of the Devrek Walking Stick from the workshop to the factory was considered as the result of objectification. Increased profit motive and anxiety to reduce the cost of the work turned the “dogwood tree” cane into a “wooden board” made of tree. The walking stick, which turned into a wooden board, has lost all the meaningful practices produced by the master. The qualitative research design was used in the study. Interviews were made with 10 walking stick masters in Zonguldak/Devrek. The data are analyzed under three main headings: “Problems and interpretation of the profession”, “discovering the effect of mechanization on the culture of the walking stick” and “difficulty of transferring the profession to the next generations.” In the study, it was an important result that mechanization reduced the value of the walking stick and turned it into a touristic commodity.
Alan : Güzel Sanatlar; İlahiyat; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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