Son yıllarda üzerinde titizlikle durulan konulardan birisi, müzelerin toplumsal sorumlulukları üstlenme noktasında kendilerini nasıl konumlandırdıkları meselesidir. Müzeler, insanlık gelişimini sosyolojik, psikolojik ve felsefi açılardan ele alan özel ve resmi kurumlardır. Müzeler ziyaretçilerine bünyesinde barındırmış olduğu eserlerle aynı zamanda eğitme görevini de yerine getirmektedir. Müzelerden eğitim, öğretim ortamı olarak faydalanmanın temel gerekçelerinden biri, ziyaretçilerinin birden fazla duyu organına hitap edecek sayıda çok uyarıcının varlığıdır. Müzeler, okul dışı eğitim öğretim etkinliklerini, atölye, sınıf ve galeri bölümlerindeki ciddi çalışmalarla ortaya koymaktadırlar. Bu çağdaş oluşum, ziyaretçilerinde anlamlı öğrenme ve derin duygular bırakarak eğitmek misyonu üstlenen yeni müzecilik tutumudur. Günümüz çağdaş eğitim anlayışında, öğretmen merkezli ezbere dayalı, öğrencinin pasif olarak katıldığı, klasik eğitim anlayışının giderek terk edilmektedir. Çağdaş eğitim anlayışında ise bireylerin öğretim sürecinin merkezinde olduğu kendi deneyimleri ile aktif rol aldığı, duyuşsal, bilişsel özellikleri ele alan, kalıcı öğrenmenin sağlandığı yapılandırmacı eğitim metodu öne çıkmaktadır. Bu eğitim modeli ile müzelerde, insana dair her türlü kültür varlığı, olgu, olay, kavram, vb. unsurlar somutlaştırılarak etkin öğrenme ortamı oluşturulmaktadır. Çalışmada yapılandırmacı eğitim çerçevesinde müzelerin ziyaretçilerinin nitelikli eğitimine olan katkıları Türkiye’deki Anadolu Medeniyetleri Müzesi, Çorum Müzesi, Adana Müzesi, Kırıkkale Müzesi, Aydın Müzesi, Mersin Müzesi, Çankırı Müzesi, Pera Müzesi, İstanbul Modern Sanat, Sakıp Sabancı Müzesi örnekleri ekseninde ele alınmıştır.
One of the topics that have been strictly focused on in recent years is the question of how museums position themselves at the point of taking on social responsibilities. The museums are private and official institutions that deal with human development from a sociological, psychological and philosophical point of view. The museums also perform their educational tasks with the works they host in their visitors. One of the main reasons for learning from museums as a teaching environment is the presence of numerous stimulants to address the visitors to multiple sensory organs. The museums present out the teaching activities of non-school education, with serious work in workshops, classrooms and gallery sections. This contemporary formation is a new museum attitude that takes on the mission of leaving meaningful learning and deep emotions in its visitors. In today’s contemporary understanding of education, the teacher-centered memory-based, passive participation of the student, the classical understanding of education is gradually abandoned. In contemporary education understanding, the structural education method is highlighted, where the individual is at the center of the teaching process with their own experiences and active role, which addresses the sensual, cognitive characteristics, and where permanent learning is provided. With this educational model in the museums, all kinds of cultural existence, facts, events, concepts, etc. relate to man. It creates an effective learning environment. The contribution to the qualified education of the visitors of the museums in the framework of the structural training in the study was discussed in the example axis of the Anadolu Civilizations Museum in Turkey, the Çorum Museum, the Adana Museum, the Kırıkkale Museum, the Aydın Museum, the Mersin Museum, the Çankırı Museum, the Pera Museum, the Istanbul Modern Art, the Sakıp Sabancı Museum.
One of the issues that has been meticulously discussed in recent years is the question of how museums have positioned themselves to assume social responsibilities. Museums are private and official institutions that deal with human development from a sociological, psychological and philosophical perspective. The museums also carry out the task of educating the visitors with the works it contains. One of the main reasons for using museums as an educational and teaching environment is the presence of many stimuli that will appeals to multiple sensory organs of its visitors. Museums exhibit their extracurricular activities in workshops, classrooms, and galleries with serious studies. This contemporary formation is the new museum attitude that undertakes the mission of educating visitors leaving meaningful learning and deep emotions. In today's contemporary understanding of education, based on teacher-centered memorization, the passive participation of students, the classical understanding of education is increasingly abandoned. On the other hand, in the modern education approach, the constructivist education method, in which the individuals take an active role with their own experiences, which are at the center of the teaching process, addressing the affective and cognitive characteristics and providing permanent learning, comes to the fore. With this educational model, in museums, all kinds of cultural assets, phenomena, events, concepts, etc. elements are concretized and an effective learning environment is created. Contribution to the quality education of museum visitors in the framework of constructivist education at Work Museum of Anatolian Civilizations in Turkey, Çorum Museum, Adana Museum, Kırıkkale Museum, Aydin Museum, Mersin Museum, Çankırı Museum, Pera Museum, Istanbul Modern Art, are discussed in the Sakıp Sabancı Museum examples axis.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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