Abstract:

Even the works of the Azerbaijani poet Nizâmî-i Gencevi, which is an important component of the historical and theoretical thought of Eastern Islamic literature, opened a wide range of opportunities for the poetic integration of literary topics, philosophical ideas, artistic creativity methods and new, perfect poetic rules throughout the Middle Ages. The Iranian poet Hâcû-i Kirmâni (XIV) "Ravżatü'l-envâr" (Light Garden) was written in response to the first poem of Nizâmî-i Gencevî "Mazenü'l-esrâr", but the poet, despite following the tradition of Nizâmî in terms of content and form, worked with it with a unique innovation, wrote articles and short stories, created an original art work that was different. One important topic that takes into account from the first article in the poem "Ravżatü'l-envâr" of Hâcû-i Kirmâni is the appreciation of the word from the divine power, its beauty and its role in human society. The first article of the work, “The Declaration of the Truth of the Word and the Declaration of the Greatness of the Word,” cannot be considered as a simple literary essay and an artistic benefit. In the book, the ideas and explanations of the word of Hâcû are attracted to the originality. It was also originally developed with the first story, contents and interesting events of the article "The story of Tuti travelling from India to Iran". From the research on the greatness and idea of the work called "Ravżatü'l-envâr" in the works written in response to the poems in the tradition of "Hamse" of Nizâmî, it is possible to reach the following conclusion as well as its typological characteristics: similar motives, new motives have been added to the topic and the plot of events has been extended in different historical periods.

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