Atıf Sayısı
6
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33
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1
Batı retoriğinde metafor, klasik Türk edebiyatındaki ismiyle teşbih terimi önemli edebî bir sanattır. Nitekim teşbih unsurlarının zengin olması, sanatçının resmetmek istediği tablonun okuyucunun zihninde tam anlamıyla canlanmasını sağlar. Böylece metinler okuyucusuna bilgi verirken edebî zevk de verir. Bunun yanında teşbih, bir nevi teşbih çeşidi olan istiare ve onun alt tipinde yer alan bazı edebî sanatların doğmasına da zemin hazırlamıştır. Bu makalede klasik Türk edebiyatı bünyesinde şiir mümessillerinin kendilerini en iyi ifade ettikleri, sanat becerilerini sergiledikleri eserler olan divanlarda hayvanlar âleminden teşbih sanatı çerçevesinde zikredilen aslan araştırılmıştır. Araştırma farklı yüzyıllara ait on bir divandan seçilen örnek beyitlerle tamamlanmıştır. Makalede divan şiirinde aslanın nasıl ve ne şekilde geçtiği tespit edilmiştir. Tespit edilen metinler doğrultusunda aslanın fizikî özellikleri açıklanarak eski Türk edebiyatına kaynaklık eden kitaplar yardımıyla seçilen örnek şiirler yorumlanmıştır. Bu bağlamda makale iki bölümden oluşmaktadır. Birinci bölümde divanlarda gazel nazım şeklinde yazılmış şiirlerde geçen aslan ele alınmıştır. İkinci bölümde ise divanların başında kaleme alınan kasidelerde benzetilen unsur olarak zikredilen aslanın gazel nazım şeklindeki şiirlerde de olduğu gibi kimlere, hangi özelliklerinden dolayı benzetildiği incelenmiştir. Kasidenin yazım amacı doğrultusunda aslana benzetilen tarihteki önemli kişiler kaynaklar yardımıyla tanıtılıp onların özellikleri ve başarıları yeniden hatırlatılmıştır. Böylece gerek alan çalışması yapan araştırmacılara gerek edebiyatseverlere günümüz Türkçesinde de teşbih ögesi olarak kullanılan aslanın klasik Türk edebiyatında nasıl kullanıldığı, eski kültürümüzde hangi şahıslara benzetildiği açıklığa kavuşturulmuştur.
In Western retorics, the metafor is an important literary art with the name in the classical Turkish literature. In fact, the richness of the incentive elements enables the artist to fully revive the painting he wants to paint in the reader’s mind. It also gives the text to the reader a literary pleasure while giving information. In addition, the promotion has also prepared the ground for the birth of some of the literary arts that are in its subtype, which is a variety of native promotion. In this article, the classical Turkish literature has studied the lions mentioned in the framework of the art of promotion from the animal world in the divans, which are the works the poetry teachers best express themselves, showing their art skills. The research has been completed with examples selected from ten dives of different centuries. In the article, the divan poem identifies how and how the lion passes. According to the texts identified, the physical characteristics of the lion were explained and the examples of poems selected with the help of books that originate from ancient Turkish literature. In this context, the article consists of two sections. In the first part, the lion was discussed in the poems written in the form of a gazel nazim in the divans. In the second part of the divan, the element referred to as compared to in the castles taken with a pen, as well as in the poems in the form of a gazel nazim, which is studied as compared to who, because of what characteristics. According to the scripture purpose of the cassette, the important people in history who were compared to the lion were introduced with the help of the resources and their characteristics and successes were reminiscent. Thus, the researchers who work in the field need literature lovers have made it clear how the lion used as a promotional subject in today's Turkish is used in the classical Turkish literature, which persons are compared to in our ancient culture.
Metaphor in Western rhetoric, which is called simile in classical Turkish literature, is an important literary art of literature. Hence, thanks to the richness of the elements of simile, it allows the reader to fully visualize what the artist desires to depict. Thus, the texts give information to the reader while providing literary pleasure. In addition, simile prepared a basis for the birth of metaphor, which is a kind of simile, and some literary arts within it. In this article, the lion figure, which is touched in the framework of the art of simile in Ottoman poetry within classical Turkish literature where the poetry representatives express themselves best and exhibit their art skills, was studied. The research was conducted on sample couplets selected from eleven Ottoman poems of different centuries. In the article, it was determined how and in which way the lion was depicted in Ottoman poetry. In line with the specified texts, the physical characteristics of the lion were explained, and the poems selected with the help of the books which were the sources of the old Turkish literature were interpreted. In this context, the article consists of two chapters. In the first part, the lion figure in the poems written in the form of verse ode in Ottoman poetry was discussed. In the second part, the lion figure, which is mentioned as a simulated element in qasida written at the beginning of an Ottoman poem, was examined as to whom and because of which features it was likened to as in the poems like verse ode. In line with the purpose of qasida, important characters likened to a lion in history were introduced with the help of resources and their characteristics and achievements were re-reminded. Thus, the lion figure, which is still used as an element of simile in today's Turkish, was clarified in all aspects of how it was used in classical Turkish literature and to whom it was likened in our old culture to both the researchers conducting field studies and the literature-lovers.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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