Abstract:

Classical Turkish poetry carries the universally beautiful, aesthetic, perfect and ideal, love awakening, anxiety of telling. My beloved is also the symbol of the ideal and universal beauty and beauty. He is a beautiful, a beautiful, a beautiful, a beautiful, a beautiful, a beautiful, a beautiful, a beautiful, a beautiful, a beautiful. The mouth and lips are small enough and perfect, thin as the white hair is. His all physical characteristics, especially the elements of his face and face, have been regarded as a symbol of perfect beauty and aesthetics, and each of them is associated with the divine, and each is given a separate blessing. Therefore, the Classical Turkish poet, by pointing out the perfections that people can’t see in nature or in man, because he takes its source from the infinite and unlimited divine power, beauty and beauty, constantly praised, praised; he has made the lover, “beautiful”; even “the most beautiful”; so it allows us to nourish love and create a consciousness not only to man, but to nature, canata and creation. The beauty of an artwork is proportional to the removal of man’s consciousness from imagination and disappointment, to the reminder of the truth of what is desired to be expressed to man, to the information of man about the truth. The essential thing that is intended to be achieved in a true art, in a true literature, is to catch the eternal by movement from everything that is beautiful and beautiful. This is why the love in Divan poetry is different, it has another taste and meaning.

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