Özet:

This study examines the changes in typography, starting with the flow of concrete poetry and futurism (the end of the nineteenth century and the beginning of the twentieth century). In the light of all these developments in this article 20. The contents and form relationships in typography have been studied through the current periods of the century. The main purpose of the design is to transmit the message in a correct and effective way. Modernist artists have been extremely innovative in the transmission of the message. The artists of the time brought a new breath to the typography with their designs that wiped the aesthetic facts of the classical design concept. This concept of design begins in Europe, which is responding in Russia 20. It has influenced the world of the century, literature, theatre, politics, publishing, etc. It has covered many areas. Although many of these concepts of design (Futureism, Constructivism, Dadaism, De Style and Suprematism) are described by the izm, many writers collect all these flows under the title "New Typography". The predecessors of the new typography stream have tried to explain by strengthening the content with the form. Modernist artists, the contents in their works are more visualized than a writing that should only be read. Typography was a formal indicator with a visual appearance except for the reading and reading of information by visualization. The characters used are used as a way of expressing thoughts and ideas.

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