Özet:

In ancient times, human communities used various signs to determine whether an object or animal belongs to them. This sign is called the sign of the sign of the sign. A sign is expressed in a variety of ways to understand that a sign belongs to a soya, a paint or a person. These shapes are made by wrapping, cutting, cutting, painting, burning or cutting. In Anatolian culture, the mark has been used in a wide geography. From the ancient times to the present day, the mark is one of the practices that existed in Turkish culture. Damga is called “tamga/damga” in the Turkish communities. The signs of Turkish heights and the signs in these heights are an interesting sign or symbol album, each of which has a distinct character and meaning. The Turkish people applied the mark on animals, goods and flags. The words "tamga", "tamka" and "damga", which in Turkish votes mean "man-made motivation", are now used as a person's signature and seal as well as in the public finance field (damga official, mark pulu) in the tax meaning. Tattoos is, nails, hips, baby-born mother’s milk, ink, liquid, zinc-carbon, rarely used beef and beef milk is called the processing of the mixture obtained with skin-to-skin inches. It is made for the belief and beauty of a community, along with the expectations of faith, such as tattoo, protection from Nazareth, glory, blessing. The tattoo that becomes a symbol of a tradition in some communities living in the Anatolian geography is a sign of that community’s attention. Tattoos made are signs of a belief-based commitment of individuals, membership to a group or social identity expressions. It has also been used for the purpose of indicating the belief or ethnic community in which a person is connected, such as tattoo, affection and taricate. The signs and shapes that make up the alphabet in the Orhun Writings, the oldest written documents of the Turkish language, show similar characteristics to the symbols in today's material culture products. In the results obtained, the Orhun Writings primarily, the Original Turfan Writings, the signs in the Uyuk Arjan Writings and the shapes on the coins of the Çağatay and Nogay Turks and the symbols on the stained stones in the Göbeklitepe temples appeared to be similar to some signs in the tattoos made in the Mardin area. In the study, the motives in the tattoo/touch practices, which are an unforgettable tradition of Anadolu, were investigated. In the Orhun Writings, which keeps light on Turkish history, the signs found in the Original Turfan Writings and the Uyuk Arjan Writings and the signs, shapes, motifs and similarities in the signs made in the Mardin area are intended to be identified.

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