Özet:

This study deals with Enis Batur’s A Roman Experiment on the Fugue Art in the context of interindicative translation. The original work, which is the subject of the study, as its title also clearly reveals, is a novel written "by modeling" by Johann Sebastian Bach's Die Kunst Der Fuge BWV 1080 (Füg Art) (1751), which is considered by music scientists as the most advanced state of this form. Batur adopted a "musical-scientific approach" and moved the structural and thematic elements of figu design into the literary field. In the context of the structure of the Füg design, it is observed that the writer varied from the theme of "route", "quality", "flaneur", "writing effort", "heaven" established a lot of narrative in the theme axis. In this framework, the "intergostor translation" in which a non-language indication system is interpreted by linguistic indications is considered as the minval of the realization of the creative process of this work. Another theoretical basis used as a research method in this study, where an original work is addressed in the context of interindicative translation, is the concept of Gideon Toury's "presumed translation". According to this, the translation is defined as "all expressions presented as translation or treated as translation for any reason". In the framework of this approach, the trials introduced by Toury as a method in the study part to ensure the "translation" nature of the work are applied: the determination of the source text of an original work in the male culture as a musical composition form (source text), the dealing with the relationship between the source and male texts in the interindicative translation context (actor text), the disclosure of the structural and thematic relationship (relationship text). In this study, the different aspects of the concept of "translation" are revealed. Another result was that the shift design was moved into the literary narrative context and created an inter-cultural space in the work.