Özet:

The poetry of Divan, which is two important subjects of love understanding, loves and fears with different characteristics in the poetry. In the world of Divan poetry, there is a kind of lover who is characterized by words like Padishah, Sultan, Shah, and who constantly pulls his lovers to the cefa and faces a one-sided love to him and suffered his lovers' persecution, and also enjoys it. But in this sense of love, which is the ruler of poetry, it appears that, especially in the post-classic period, some changes occur, a type of lover who does not want to tolerate the head of his lover and turns to him begins to find his place in the poetry. In this change in the understanding of love, the Divan poem points out that the Vâsûht style, which began to develop in the 16th century, has the effects of love. The sense of love in the style of Vâsûht, which comes to us in the form of not tolerating the head of his lover, hating him and turning his face, is sometimes found in the poems of the classical divan poems. But especially from the 18th century, it can be said that this sense of love appears more clearly in the divan poetry. One of the poems in his poetry is the love of God. His poems often place themes taken from real life and lovers, and the sense of love in these poems is often associated with the judge's speech in the divan poems. But the poet’s poems and bishops are out of this speech and the style of Vâsûht is closer to love. In this article, we will discuss this kind of poems and beeths of Nedim, and we will explore how Vâsûht style love appears in his poems.