Özet:

It is known that people used symbols from the early ages. Symbols, along with the time and the oral and written tradition, have become an inseparable element of myths, legends, narratives, social and religious culture, literature, poetry. Poets use a symbolic language to express their feelings and thoughts. One of the symbolic language elements is numbers. The origins of numeric symbolism have evolved with the creation of different cultures, while Sumer is based on the Babylonian civilizations, and has also influenced the Turkish and Islamic cultures. The numbers that show their existence in almost many areas, from the most primitive/absurd beliefs to scientific studies, are an applied source in numerical sciences as well as in social sciences. While some of these numbers are more frequently addressed in different cultures, some numbers are less used. For example, in the popular culture, the load of special meanings on certain numbers, such as three, four, five, seven, nine, and forty, and the blessing of these numbers is also felt in the narrative, the narrative, the narrative, the narrative, and the false beliefs. Being the founder of the first known taricate among the Turks, he used this symbolic language in the work of the Turkish Hoca Ahmed Yeshevî, which is important to be the founder of a work such as Dîvân-i Hikmet, which will guide all cultures with spiritual leadership to the spread of Islam in Anadolu and the universal messages he gives to the Islamic and Tasavufic environments if necessary. When Dîvân-i Hikmet was studied from the beginning to the end, Hoca Ahmed Yesevî was seen to give a lot of place to the number symbolism that will be studied in this study. Specifically in the Turkish culture, numbers such as one, five, seven, eight, and forty, which are in the forefront of Nazaran to others, are also attracted in the poems of Hoca Ahmed Yesevî.

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