Görüntüleme
59
İndirme
10
İkinci Dünya Savaşı’nın ardından Alman ekonomisinin iyileştirilmesi amacıyla 1961 yılında Almanya ve Türkiye arasında yapılan antlaşma ile işçi alımının gerçekleşmesi Almanya ve Türkiye’yi hızlı bir biçimde etkileşime sokmuştur. Kısa süreliğine yapılan göçler aile birleşimi hakkından sonra kalıcı hale gelmiştir. Almanya’da kalmaya devam ederek kendi ülke ve kültürlerini karşılaştırma fırsatı bulan göçmenler yaşadıklarını kaleme almaya karar verdiklerinde yazın dünyasına yeni bir alanı katmış olurlar.İşçi bir aileye mensup olmayan ve öğrenimini Almanya’da devam ettiren Şenocak ikidilli yetişme olanağına sahiptir. Herhangi bir tarafı seçmeye yönlendirilmesine anlam veremeyen Şenocak kendi zihninde birbirinden farklı iki kültürü, iki dili rahatlıkla bağdaştırabilmiş ve ortaya çok yönlü bir yazar ve şair çıkmıştır. Eserlerinde de Almanya- Türkiye, Doğu- Batı, kadın- erkek, gelenek- yenilik karşıtlığını ele alarak senteze ulaştırabilmiştir.Köşk romanında bu sentezde zorluk yaşayan karakterin mücadelesi İstanbul, Ankara, Münih güzergâhında okuyucuya sunulur. İkisi de savaşın izlerini taşıyan Münih ve İstanbul şehirleri savaş sonrasındaki kalkınmayı farklı noktalarda gerçekleştirirler. Münih, bir taraftan geleneksel yapısını koruyup bir taraftan da farklı sanatsal faaliyetlere ağırlık verirken İstanbul, gelenekselden uzaklaşarak betonlaşmaya feda edilmektedir. Üstelik kalkınma sadece ticari olarak amaçlanmakta sanat geri plana itilmektedir. Her ikisi de göç alan bu iki şehir bu durumdan eşit şekilde yararlanamamaktadır. İki şehir ekseninde geçen olaylarda mekânın daha önce tahmin edilmeyecek şekilde değişime maruz bırakılması, birbiriyle uyuşmayan noktaların yeni mekânlarda uyumlu hale sokulmaya çalışılması Foucault’nun heterotopyalarını örnekler. Her kültürün kendi değerleriyle şekillenen heterotopyalara eserde iki kültürde de rastlanır.Bu çalışmada ilk olarak mekân kavramının etimolojisine ve anlamına yer verilecektir. Sonrasında Foucault’nun heterotopya sınıflandırmasına geçilecektir. Daha sonra Göçmen Edebiyatı hakkında bilgi verilecek ve ikinci kuşak temsilcilerinden Zafer Şenocak’ın yaşamı, eserleri anlatılarak edebi kişiliğinden bahsedilecektir. Bu aşamada gazete ve dergilerde yayınlanan röportajlardan yararlanılacaktır. Köşk romanın içeriği hakkındaki kısa bilginin ardından da eserdeki heterotopik mekânlar alıntılarla desteklenerek gösterilecektir. Çalışmada eklektik yöntem kullanılacaktır. Gerçek mekânın tarihi süreç içinde geçirdiği anlam kaymaları, bağdaşmayan unsurları bir arada tutma özelliğine sahip olan ve her kültürde farklılık gösteren heterotopyalarla aydınlatılacaktır
After the Second World War, the treaty between Germany and Turkey in 1961 with the aim of improving the German economy and the achievement of workers rapidly interacted with Germany and Turkey. The short-term immigration has become permanent after the right to family unification. Migrants who find the opportunity to compare their own countries and cultures by continuing to stay in Germany, when they decide to take their lives, they add a new area to the summer world.The workers who do not belong to a family and continue their studies in Germany have the possibility of bilateral education. Shenocak, who could not understand to be directed to choose any side, was able to easily match two different cultures, two languages in his own mind and appeared a multi-faceted writer and poet. In his works, Germany - Turkey, East - West, women - men, traditions - could deliver the synthesis by addressing the opposition of innovation.The struggle of the character living difficulty in this synthesis is presented to the reader on the route of Istanbul, Ankara, Munich. The two cities of Munich and Istanbul, which carry the traces of the war, perform the development after the war at different points. Munich, on the one hand, preserves its traditional structure and on the other hand emphasizes different artistic activities, while Istanbul is devoted to concrete-making. In addition, the development is only aimed at commercial art to be pushed back to the plan. These two cities, which are both immigrants, cannot benefit equally from this situation. The exposure to unpredictable changes in the events that occur in the two city axes, the attempt to harmonize the points that do not match each other in the new places, are examples of Foucault's heterotopies. The heterotopies formed by their own values of each culture are also found in the work in two cultures.This study will first include the ethymology and meaning of the concept of space. It will then be transferred to Foucault's heterotopy classification. Later, information about Immigrant Literature will be given and the representatives of the second generation of Zafer Shenocak's life, the works will be told about his literary personality. In this phase, the interviews published in newspapers and magazines will be taken advantage of. After a brief information about the contents of the corner novel, the heterotopic places in the work will also be shown by quotes. Electrical methods will be used. The shifts of meaning that the real place passes through the historical process will be illuminated by the heterotopies that have the ability to hold unconforming elements together and differ in each culture.
After the Second World War the realization of the employment of workers with the Agreement made in 1961 between Germany and Turkey quickly puts interaction to Germany and Turkey. The migrations made for a short time became permanent after the right to family reunification.Immigrants who continue to stay in Germany and have the opportunity to compare their own countries and cultures add a new space to the world of summer when they decide to write their experiences. Şenocak, who does not belong to a working family and continues his education in Germany, has the opportunity to grow bilingual. Şenocak, who could not make sense to be directed to choose either side, could easily reconcile two different cultures and two languages in his mind, and a versatile writer and poet emerged. In his works well in Germany and Turkey, East-West, women and men were able to reach the synthesis of traditions of innovation by addressing the opposition. The struggle of the character who has difficulty in this synthesis in the novel of Köşk is presented to the reader on the route of Istanbul, Ankara, Munich. The cities of Munich and Istanbul, both of which bear the traces of the war, realize the post-war development at different points.While Munich maintains its traditional structure and focuses on different artistic activities, Istanbul is sacrificed for concrete by moving away from the traditional.Moreover, development is aimed only commercially and art is pushed into the background. These two cities, both receiving immigration, cannot equally benefit from this situation.Exposing the place to an unprecedented change in the events taking place in the two city axes, trying to harmonize the points that are incompatible with each other in new spaces, illustrates Foucault's heterotopias.Heterotopias, shaped by the values of each culture, are found in both cultures in the work. In this study, the etymology and meaning of the concept of space will be given first. Later, Foucault's classification will be started on heterotopia.Later, information about Immigrant Literature will be given and the life and works of Zafer Şenocak, one of the representatives of the second generation, will be mentioned and his literary personality will be mentioned.At this stage, interviews published in newspapers and magazines will be used. After the brief information about the content of the mansion novel, the heterotopic spaces in the work will be supported by quotations. Eclectic method will be used in the study.The meaning shifts of the real space in the historical process will be illuminated by heterotopias that have the feature of keeping incompatible elements together and differ in each culture
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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