Abstract:

Landscape painting has been an important place in the art of the Far East and Eastern communities for a long time.The passion of these communities for nature has been reflected in their art centuries ago. From the 16th century, the landscape began to appear in the Turkish Minyatures with its topographic appearances. From the 18th century, the passion and enthusiasm for the sight has been reflected to the skin cover. In the skin cover, the decorations on wood and walls were replaced by the scenery pictures. This continuing passion turned into the 19th century’s fat painted tables. The scenery theme of their first experiments was carried out by our military painters, the Batulization period was a separate place in the Turkish painting art. This process, which began with the view, continued in an academic development in the subsequent periods. With this article, starting from the miniatures, the aim is to study the development of the scene in the Turkish Official Art until the 1930s in terms of "technical, stylish and pentural". It was tried to clarify the period in which the picture was perceived by the Turkish painters. The development and maturation stages of the scenery painting until the 1930s were discussed with outstanding examples of the works of Turkish painters. The oil-colored scenery picture, which originally had a photographic desensal certainty, has been found to be mature in the continuing process, leaving its place in a pentural form from the beginning of the 20th century. In addition, it was initially tried to explain why the Turkish painters prefered the landscape picture.