Abstract:

The small story called "Karakış" in the work of Öz Ferit Edgü's Eastern Stories has a structure consisting of twelve and fifty words in total. If the five of these summaries are the question summaries, and the others are the answers of these summaries, it seems that the dialogue technique, which is one of the most important characteristics of small stories, is preferred. None of the talks of Halit and Hoca are intermitted. In this speech, which takes place in a new context in which the image forms indirectly, the possibility of unlimited opening is provided with the “final plot” in which the structurally meaningful depth of the small stories arises. The layers of meaningful intensity appear with this "last plot" with the whole deep structure of the individual understanding of small stories. In this study, in small stories, the discoveries will be studied beyond the concrete appearance of structural elements such as time, space, person through the calling style in the process of understanding themselves. The opening of these elements that are not directly given will be provided by the philosophical, psychological and sociological submissions of the layers of meaning revealed by the imagination in the final summary of "We will return to ourselves". In this study, where the self-problem is centered, the subjects that small stories highlight in thematic levels will also be studied in this context.

Keywords:

Abstract:

Short-short story called “Karakış”, which is included in Ferit Edgü’s work Doğu Öyküleri, has a structure consisting of twelve sentences and fifty words in total. Given a plane in which five of these sentences are interrogative sentences, and others are considered answers to these sentences, it seems that the dialogue technique, which is one of the most important features of small stories, is preferred. No narrator mediates the conversations of Halit and Hoca mutually. In this conversation, which takes place in a new context created by direct imagery, unlimited opening is provided by the “last sentence”, in which the structural semantic depth of short-short story is provided. Layers of semantic density with this “last sentence”, the whole depth structure in the understanding of the individual is revealed. In this study, space inventions will be examined in the process of making sense of themselves through associative style beyond the concrete appearance of structural elements such as time, space, and person in short-short stories. These elements, which are not given directly, will be expanded with philosophical, psychological and sociological references to the layers of meaning revealed by imagesality contained in the last sentence, “we will return to ourselves”. In this study, in which the problem of self is centered, the themes that short-short stories stand out in thematic planes will also be examined in this context.