Abstract:

Sezai Karakoç, who is widely known for his poet identity in Turkish literature has written pieces. Rushdie, who wrote five short plays as Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie, Rushdie and Rushdie. Therewithal, in the analysis of the theater as a literary work, the "narrator" element has been neglected until recently. In this paper, we would deal with the five plays of Sezai Karakoç, whose plays have not been studied so much in terms of narrator. We will try to determine the function of this element in the pieces by examining how the author uses the narrator in his pieces. With this paper, we aim to contribute to the studies of the Turkish theater and studies on Sezai Karakoç.

Keywords:

Abstract:

Sezai Karakoç, who is widely known for his poet identity in Turkish literature has written pieces. Karakoç, who wrote five short plays as Ertelenen Düğün, Çeyiz, Perde,Görevand Armağan,has not been emphasized on this aspect of his. Therewithal, in the analysis of theater as a literary work, the “narrator” element has been neglected until recently. In this paper, we would deal with the five plays of Sezai Karakoç, whose plays have not been studied so much in terms of narrator. We will try to determine the function of this element in the pieces by examining how author uses the narrator in his pieces. With this paper, we aim to contribute to the studies of the Turkish theater and studies on Sezai Karakoç.