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Di serê sedsala 20’an da nimûneyên ewil yên xêzeromanan li Amerîkayê tên weşandin. Piştre di demeke kin da ew li welatên din belav dibe û ji vî cureyê nû gelek dihê hezkirin. Piştî 100 salan em di edebîyata Kurdî da mînakên xêzeromanên ewil dibînin. Me di vê gotara xwe da xwest ku sedemê vê derengmayînê di ser berhema Mirina Jaro ra binirxînin. Ji bo vê me bi rêbaza lêgerîna çavkanîyan li ser rojname, kovar û berhemên din yên Kurdî lêkolîn kir. Me pêşîyê li ser dîrok û geşedana xêzeromanê agahî dan. Piştre bi kurtayî nimûneyên xêzkirin, xêzewêne û karîkaturê yên di çapemenî û edebîyata Kurdî da (Kurmancî, Soranî û Zazakî) vekola. Me di dawîyê da jî Mirina Jaro di çarçoveya van taybetmendîyên xêzeromanê da nirxand bûyersazîya wê çawa ye, mirov dikare wê di çarçoveya nirxandina estetîk da çawa binirxîne, wekhevî û cudahîyên wê li gor xêzeromanên din çi ne, hêmanên ziman, zeman û mekanî çawa hatine bikarînan…hwd. Me dît ku di Mirina Jaro da hêmanên sereke yên rêbaza xêzeromanê nehatîne bikarînan. Lewma ew ji xêzeromanekê zêdetir wek îlustrasyonekê ye, ji alîyê dîtbarîyê ve jî wek pirtûkeka zarokan ya biwêne ye.
First modern comic book works have been published in the early 20th century in America. Then spread to other countries in a short time and this new genre becomes so popular. The first works of modern comics in Kurdish literature emerged 100 years later. In this study, we have examined the causes of this delay through the work named Mirina Jaro. For this purpose, we have searched the Turkish newspaper, magazine and other works by using source search method. Firstly, we gave information about the history and formation of comics. Then, according to three Kurdish dialects, we briefly examined the drawing, drawing art and cartoon samples in Kurdish literature and press. At the end, we analyzed the Mirina Jaro in terms of comic book features; how its plot is, how can it be evaluated in terms of features of comic book, its similarities with other comic books and what are the differences from them, how language, space and time were used...etc. We have found that the basic elements of comic theory were not used in Mirina Jaro. So it's more like an illustration or a picture book for children than a comic book.
First modern comic book works have been published in the early 20th century in America. Then spread to other countries in a short time and this new genre becomes so popular. The first works of modern comics in Kurdish literature emerged 100 years later. In this study, we have examined the causes of this delay through the work named Mirina Jaro. For this purpose, we have searched Kurdish newspaper, magazine and other works by using source search method. Firstly, we gave information about the history and formation of comics. Then, according to three Kurdish dialects (Kurmancî, Soranî, Zazakî), we briefly examined the drawing, drawing art and cartoon samples in Kurdish literature and press. At the end, we analysed the Mirina Jaro in terms of comic book features; how the its plot is, how can it be evaluated in terms of features of comic book, its similarities with other comic books and what are the differences from them, how language, space and time were used…etc. We have found that the basic elements of comic theory were not used in Mirina Jaro. So it's more like an illustration or a picture book for children than a comic book.
Field : Eğitim Bilimleri; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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