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Sinematografi, senaryonun çekilmesi aşamasındaki teknik değişkenlerin filmlerde anlamı inşa etme sürecidir. Bu süreç kadrajın kurulması sırasında devreye girer ve filmin tümünü kapsar. Filmlerde karakterler senaryo kuramı gereği, kişilik duyguları, motivasyonları, doğrulukları, güç ve varlıkları, tanınma biçimleri, vb. gibi konularda değişim gösterir. Bu değişim sinematografik kullanımlarla gösterilir. Dolayısıyla sinematografi, filmin hem anlam ağını hem de karakterlerin gelişimini etkileyen önemli bir kavramdır. David Bordwell ve Kristin Thompson’un, birlikte yazdıkları Film Sanatı adlı kitap sinematografik bir incelemenin neleri kapsayacağını detaylandırır. Nuri Bilge Ceylan, Türkiye Sineması’nda sinematografinin etkisini karakterler üzerinde kullanan nadir yönetmenlerdendir. Bu çalışmada, Nuri Bilge Ceylan’ın Bir Zamanlar Anadolu’da filminden Savcı Nusret ve Ahlat Ağacı filminden Sinan karakteri üzerinden, David Bordwell ve Kristin Thompson’un tasvir ettiği sinematografik tahlil yöntemi kullanılarak karakter incelemeleri yapılmıştır. Bu sayede film yapımcıları için, bir filmin çekim aşamasında karakteri sunan sinematografik unsurların tanınması ve etkili kullanılması, izleyenler için ise karakterin biçimsel okumasının yapılabilmesine olanak sağlanmıştır.
Cinematography is the process of building meaning in films of technical variables in the stage of drawing the script. This process takes place during the creation of the cartoon and covers the entire film. The characters in films according to the theory of the script, personality feelings, motivations, truths, powers and beings, forms of recognition, etc. Changes in themes. This change is shown by cinematographic uses. Therefore, kinematography is an important concept that affects both the meaning network of the film and the development of the characters. David Bordwell and Kristin Thompson’s film art book, which they wrote together, describes what a film review will cover. Nuri Bilge Ceylan is one of the rare directors who use the influence of cinema on characters in the Turkish Cinema. In this study, Nuri Bilge Ceylan's film Once in Anatolia from the film Prosecutor Nusret and Ahlat Tree through the character of Sinan, using the cinematographic assessment method that David Bordwell and Kristin Thompson depicted, cartoon studies were carried out. This has made it possible for filmmakers to recognize and effectively use the cinematographic elements that offer a character in the filming phase, and for the viewers to be able to make the character's formal reading.
Cinematography is a sense-making process for films through a set of technical variables in the process of filming the script. This process steps in in the course of setting the frame so it involves the whole film. Every frame, inevitably, is a result of a cinematographic choice. In films, characters go through certain phases on the matters such as sense of identity, their motivations, righteousness, power and existence, way of recognition et cetera on the principle of the screenwriting theory. This alteration is shown through cinematographic utilization. Therefore, cinematography is a subject that should be analyzed since it affects the net of meaning as well as the development of characters. The book called Film Art, written by David Bordwell and Kristin Thompson together, is one of the eligible works written on the analysis of structural cinema. In the study aforementioned, what a cinematographic examination covers is detailed. In Turkish Cinema, Nuri Bilge Ceylan is one of the few directors who use the strong effect of cinematography on their characters. Shooting a scene is designed in a way that it would reflect the situation of the characters in the story. In this paper, a character analysis is achieved through the characters Savcı Nusret from Nuri Bilge Ceylan’s Once Upon a Time in Anatolia and Sinan from The Wild Pear Tree by using the method of cinematographic analysis described by David Bordwell and Kristin Thompson. Thus, it became possible firstly for filmmakers to recognize the cinematographic elements that represent the characters in the process of filming and use those elements effectively, and then for viewers to make a stylistic analysis of characters.
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Journal Type : Uluslararası
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