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1964 yılında özel bir şahıs tarafından gerçekleştirilen bir evin temel kazısında ele geçen kadın başı, günümüze kadar yayımlanmamıştır. Buluntu yeri ve yapı bağlantısı bilinmeyen Kayseri eserini, yalnızca saç modası ve fizyonomik özelliklerden yola çıkarak tarihlendirmek zor olsa da gerçekleştirdiğim karşılaştırmalar ve değerlendirmelerle kadın başına, bir dönem ve kimlik önerisi getirilmeye çalışılmıştır. Arkeoloji literatürüne kazandırmak için kaleme aldığım Kayseri eserindeki kuaförlük modası, dolgun yüz ile göz bebeği ve irisin işlenmemesi kadın başını, tarihlendirmemize olanak sağlayan tanımlayıcı özelliklerdir. Kayseri Müzesi’nde korunan eserdeki “Ceres Tipi” saç modası, Iulius - Claudiuslar Hanedanlığı ve Hadrian dönemlerindeki resmi ve özel kadın portreleriyle yakın benzerlik göstermektedir. Yalnızca Kayseri başındaki kuaförlük modası, Iulius - Claudiuslar Hanedanlığı dönemlerindeki saç modasını anımsatmasına rağmen patetik ifadenin verilmeyişi kadın başını, bu dönemin üslup özelliklerinden ayırmaktadır. Kadın başındaki saç modası, ayrıca Hadrian dönemi kadın portrelerindeki kuaförlük modasıyla da büyük benzerlik gösterse de Kayseri portresinde, Iulius - Claudiuslar Hanedanlığı dönemleri eserlerinde olduğu gibi Hadrian dönemi portrelerinde de gördüğümüz fizyonomik özelliklerin idealize edilerek verilişi yer almamaktadır. Fakat aynı zamanda eserde patetik ifadenin yer almayışı, “Ceres Tipi” saç modası ve göz bebeği ve irisin işlenmeyişi de kadın portresini, fizyonomik özelliklerin tam olarak idealize edilmediği Erken Hadrian dönemine tarihlendirmemize mümkün kılmaktadır. Çalışmamda da “Ceres Tipi” kuaförlük modasının görüldüğü her iki dönemle, Kayseri başını karşılaştırarak eserin tarihlendirilmesi, kimlik çalışması ve önerdiğim dönemin gerekçeleri detaylı bir şekilde verilmek istenmiştir.
The woman's head, which was caught in the basics of a house carried out by a private person in 1964, has not been published until today. The location and structure connection of the unknown Kayseri work, although it is difficult to date from the hair fashion and physiological characteristics only, with the comparisons and evaluations I performed, I tried to bring a period and identity recommendation for each woman. The hairstyle fashion in the Kayseri work I got a pen to get to the archaeological literature, the full face with the eye baby and the non-treatment of the iris are characteristic features that allow us to date the female head. The hair fashion "Ceres Type" in the work preserved in the Kayseri Museum is closely similar to the formal and private female portraits of the Iulius-Claudius Dynasty and the Hadrian period. Only the hairstyle fashion at the head of Kayseri, although it reminds of the hair fashion in the periods of the Iulius-Claudius Dynasty, the untouched pathetic expression distinguishes the female head from the stylish characteristics of this period. The fashion of the hair on the female head, as well as the fashion of hairstyle in the female portraits of the Hadrian era, is very similar, but in the Kayseri portraits, as in the works of the Iulius-Claudius Dynasty periods, the portraits of the Hadrian era are not included by idealizing the physiological characteristics we see. But at the same time the absence of pathetic expression in the work, the "Ceres Type" hair fashion and the non-treatment of eye baby and iris also makes it possible for us to date the female portrait to the Early Hadrian period where the physiological characteristics are not perfectly idealized. In my study, both periods in which the "Ceres Type" hairstyle fashion was seen, compared with the Kayseri head, the work was dated, the identity work and the reasons for the period I suggested were asked to be given in detail.
The female head which was uncovered during foundation excavation of a house by a person in 1964 has not been published until today. Although it is difficult to date Kayseri piece, of which finding place and building connection are not known, based on only hair fashion and physiognomical features, it is tried to bring forward a proposal of period and identification to the female head by my evaluations and comparisons. The hairdressing fashion, plump face, the lack of depicting pupil and iris on Kayseri piece which I have written to add to the archeology literature are defining features that allow us to date the female head. “Ceres Type” hair fashion on the piece preserved in Kayseri Museum, closely resembles formal and private female portraits in Julio-Claudian Dynasty and Hadrian periods. Although only the hairdressing fashion on Kayseri head reminds the hair fashion in the periods of Julio-Claudian Dynasty, the lack of patetic expression distinguishes the female head from the stylistic features of this period. Though the hair fashion on the female head is also very similar to the hairdressing fashion on the female portraits of Hadrian period, the portrait of Kayseri does not include the expression of the physiognomic features by idealizaton seen in the portraits of Hadrian period as in the pieces of Julio-Claudian Dynasty. However, at the same time, the absence of a patetic expression on the piece, the "Ceres Type" hair fashion and the lack of depicting the pupil and iris make it possible to date the female portrait to the Early Hadrian period when the physiognomical features were not fully idealized. In my study, it has been aimed to give detailed information about the date of the piece, identification study and the reasons for the period I proposed by comparing the head of Kayseri with both periods in which the "Ceres Type" hairdressing fashion was seen.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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