Abstract:

The XIX. There are some poems from the important ideas and politicians of the Islamic world of the century, which reflect the literary and artistic aspect of Afghanistan, which play an important role in the understanding of their feelings and thoughts. Afgani, who is familiar with Arabic and Persian literature as well as the literature of different languages, has written, written or noted poems in various ways, and has given messages, or has aligned with himself. The longest and most voluminous of his poems is a total of nine beits of Sakinâme. In addition to this, there are Arabic and Persian poems and single beiths written in rubai, gazel, mesnevi and kaside patterns. The Afghani, as it reflects poetry, literature, and aesthetic pleasure with these manuscripts, has seen the vibrant life, the political difficulties and myths he has experienced with a kind of rumus language. We will try to present the translation of the aforementioned poems in which the sendings to the Ottoman state men are also included; we will try to keep the light of the poem, art and literature of Afghanistan, which is not very well known in our country.  There are some poems that have an important place in understanding of his emotions and thoughts, reflecting the literary and artistic aspect of the Afghan, one of the important ideas and politicians of the 20th century Islamic world. Being familiar with Arabic and Persian literature, as well as literatures of different languages, the Afghan has despacthed messages or has been alone with his own inner world through the poems he had written or noted in a variety of ways. The longest and most voluminous of every poem is Sakinâme with a total of ninety couplets. In addition to this, there are also poetry and single poems written in Arabic, Persian and Persian in the form of rubai, gazel, mesnevi and kaside. As these poems reflect the poetic, literary and aesthetic taste of Afghanistan; the political difficulties in his view of the turbulent (his) life and his political difficulties are reflected in his pseudonym language. Based on these poems, which include references to Ottoman statesmen, he presented the translation of poems; we will try to shed light on the poetry, art and literature understanding of Afghanistan, who is not recognized in our country with his literary aspects.

Abstract:

Abstract There are some poems that have an important place in understanding of his emotions and thoughts, reflecting the literary and artistic aspect of the Afghani, one of the important ideas and politicians of  the 20th century Islamic world. Being familiar with Arabic and Persian literature, as well as literatures of different languages, the Afghani has despacthed messages  or has been alone with his own inner world through the poems he had written or noted in a variety of ways. The longest and most voluminous of her poems is Sakinâme with a total of ninety couplets. In addition to this, there are also poetry and single poems written in Arabic, Persian and Persian in the form of rubai, gazel, mesnevi and kaside. As these poems reflect the poetic, literary and aesthetic taste of Afghan; the political difficulties in his view of the turbulent (his) life and his political difficulties are reflected in his pseudonym language. Based on these poems, which include references to Ottoman statesmen, he presented the translation of poems; we will try to shed light on the poetry, art and literature understanding of Afghani, who is not recognized in our country with his literary aspects.

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