Abstract:

In the context of the Alevi-Bektaşi system of faith, a term used to meet the middle place of the square where the ceremony is physically performed, within the specific ritual concept area of the century worship. In the framework of Alevi-Bektaşi belief, there are ritual arrangements formed with the concept-oriented existence of a widespread word formed around the concept. In addition to being an expression of rituals, it has a characteristic of being a multi-layer term, which also corresponds in philosophical and sociological dimensions. The concept of righteousness, which symbolizes the righteousness, the desire, the standing in the square, the manifestation of its essence, is equipped with tasavouffic answers, indicates a occurrence that is rewarded at the level of baptism rather than to be zahiri. The various cultural and religious figures that are meaningful within the framework of the Alevi-Bektaşi faith department are also lived through the profit, thus making it possible to keep the collective memory alive and to transfer the tradition. When the meaning burden is taken into account, it is clear that in addition to considering rituals as a term, it is necessary to make art meanings readable, taking into account the size of the statue as well. In this study, after discussing the semantic content, focusing on what the concept of profit is, the concept will develop around, with the existence of the word of ritual terms, phrases, translators and rose banks, and the profit-centered development of the ritual universe. Keywords: Alvi-Bektaşi, cem, dâr, ritual.