Abstract:

In the vocabulary, "Lugz derived from the lagz word that means "the desert mouse, for not to find the place where it is hidden, to bury its house as a labyrinth; to disturb, to hide the meaning of the word, to say the word to be surprising" is called the poems that are based on the call of the answer to the other side by ordering the characteristics of an object hidden in the literary sense and by finding various rems and immas. Lügaz is a type of classical Turkish poetry that has been used since the 15th century. The name is based on the essence of telling the qualities of a hidden object and being imitated by the opposite side of the sensation. He was born in Arabic literature, and from there passed to Farsic literature. The transition to Turkish literature has also been through the Fars literature. Thus, they are found in two categories: the false and the false. Thro the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course of the course. In this study, a brief information was given about the appearance of the species of lügaz, its history, its distinction and use in Turkish literature. Therefore, the knowledge of the poet, which belongs to the tradition of love, is presented and the knowledge of the poet, which has been identified in the Lügaz mecmu in the name of Mecmûa-i Hafîza, is given. It is the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, the first, The answer from these can be found on the way that the poet's lies are created by making a solution to some of the lies. In the study, first the solutions of the Nermî's managerial logos were given, then the logos that had the characteristic of the word logos were tried to be resolved.

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Abstract:

The word “Lügaz” is derived from the word “lagz” which in dictionary, is defined as “Desert rat digging its nest in shape of a maze to make it hard to discover; to divert, to hide the true meaning of a word, to say obfuscatory words”, and in the literary sense, it refers to the poems that aim to help the other person make associations about the answer by listing the qualities of an undisclosed object and by making implicit suggestions. Lügaz, poetic form that was used after the 15th century in Classic Turkish poetry. It’s based on the idea of implying to the other person an undisclosed object by listing its qualities and making suggestions about it implicitly. It was born out of Arab literature and was adopted later by Persian literature. It was adopted by Turkish literature from the Persian literature. Lügaz poems mainly consist of two types, namely Mana (Meaning) and Lafız (Wording) Lügaz poems. Mana type Lügaz poems is based on the idea of creating impressions in the mind of the other person about the undisclosed object by listing certain qualities of the object while Lafız type Lügaz poems is based on punning in the poem to help the other person guess the undisclosed object. This study provides brief information on how Lügaz poems first emerged, their adoption by Turkish literature and their usage. The study also provides information gathered on the poet known with the nickname Nermî who was from the “Aşıklık” tradition and describes 48 Lügaz poems of the poet published in the Lügaz journal named Mecmû’a-yı Hafîza. Lügaz poems of Nermî were analyzed in terms of prosody, verse types, and initial expressions. Certain Lügaz poems among these, the answer of which could be guessed were analyzed and the method used by the poet in constructing these Lügaz poems were emphasized. The study first provides analysis of Mana type Lügaz poems of Nermi which is followed by analysis of his Lafız type Lügaz poems.