Özet:

In the words of the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him) said, “The Holy Prophet (peace and blessings of Allah be upon him) said, ‘The Holy Prophet (peace and blessings of Allah be upon him) said: These poems recorded to the Mecmues were probably performed in the Alevian-Bektaşic rituals and councils in the divine form. Since there are very few written sources that tell us how this state of living and sustainability has evolved in the historical process in the Alevian-Bektaşic cultural environment, the mecmues and cönks are among the important written sources at this point. The Tevfik Otman Baba, which we think was living in the second half of the 19th century and the first half of the 20th century, has its own mecmuya. This mecmua provides important data in telling the relationship of the Alevian-Bektaşic gems with the poems of Yunus. There are 541 Alevi-Bektaşî poems in this source, which is a Bekaşî mecmuet, which contains 23 poems of Yunus. The Mecmua, where we learn that the poems are recorded in a wide geography from Istanbul to the Balkans mostly in the Bektaşî texts, successfully reflects the status of Yunus poems in the last century in the Alevî-Bektaşî mohites. Two of the poems of Yunus in the Tevfik Otman Father's Mecmae belong to the Love of Yunus, the others belong to Yunus, the Derwish Yunus Emre, who uses the poems of Yunus. When the poems of Yunus, which Tevfik Otman took to the Mecmuya of the Father, are remarked, they are poems that cover the principles of the Alevian-Bektactic path, support the rituals of this path and contribute to the explanation of the path. The poems of the shathiye type that have received a lot of interest in Mecmuada Alevî-Bektaşî poetry and are largely accepted by the people who belong to this gathering poetry. Otman Baba has also added poems that we can call the devriye alongside the poems of Yunus in the shathiye style. In short, the poems of Yunus in the Tevfik Otman Father's Mecmuya show that Yunus Emre was taken into account at the end of the 19th century and early 20th century in the Bektaşî surroundings, and that his poems, like many other Alevî-Bektaşî poems, were continued to be recorded in the Mecmuya. Keywords: Yunus Emre, Alevî-Bektaşî poeti, Tevfik Otman Baba, Mecmua.