Abstract:

Ayla Kutlu is one of the names that described the place of women and women in the society in Turkish romanticism since 1970. The artist, by his own speech, aims to show the "Turkish people's exhibition in the direction of time, space and values" in the atmosphere of a pot in which history, space and sociological structure is eroded. From the point of view that it forms out of the official history, the bright, semi-bright, and unread woman, who puts the female heroes in the social order in different statutes with mythical characteristics, Ayla Kutlu, thus manages to transform the woman in a "value" in the universal sense. In addition to his romanticity, Ayla Kutlu also acknowledges himself with his narrative, he says he does not take a special time to write the story, while writing the novel, the story is born of itself. In the stories the artist is inspired by the land in which he was born, more traces of the lives of the Anadolu people, women and children are seen. The "Mekruh Women's Cemetery", which forms the subject of this study and also gives the name to the book consisting of seven stories, notes that when considered with the other stories in the book, the woman establishes a strong connection between nature and nature in her journey of existence, it supports this connection with mythical messages. We can also say that Ayla Kutlu, who sees the primary task of art as praising people, enriching and diversifying their interior structures, served the same purpose in his story called "Mekruh Women's Cemetery".

Keywords:

Abstract:

Ayla Kutlu is one of people who review woman and woman's place in the society in being A Turkish novelist after 1970. The artist targets to reveal "Turkish people's adventure in terms of time, place and values" in a backboard's atmosphere that the date, place and sociological structures dissolve in the artist's own expression. The artist achieves to transform a woman into a "value" in a universal sense as she provides woman heroes with the mythic properties that she put those women in a social order in the different status such as a highbrow, semi-highbrow, provincial/ illiterate with a view point that she provided as going out of the formal date. Ayla Kutlu made herself accepted as being a novelist and storytelle says that she doesn’t spare specific time to write a story and the story occurs instinctively while writting a novel. The indications mostly related to the Anatolian people, women and children are seen on her stories that she fictionalizes by taking her inspiration from the lands where the artist was born. When “ Mekruh Kadınlar Mezarlığı” which gives the name of book that comprises the subject of this study and consists of seven stories is considered with the other stories in the book, it attracts attention that the woman creates a strong connection between herself and nature in her existence journey and she supports this connection with mythic consignments. Moreover, we can say that Ayla Kutlu who thinks the art’s first duty is to aggrandize the human, to enrich their inner world and to vary them services for the same purpose in her story in the name of “ Mekruh Kadınlar Mezarlığı”.