Abstract:

Hussein's Water Story shows its existence in two points. On the one hand, the tradition of judgment does not ignore the outer eyes towards life, while on the other hand, the inner eyes are open to the new, to the modern. This can be a choice formed by the mixture of the tradition. In fact, the influence of current developments in Turkish literature more shows its existence in the 19th century. In the Ottoman state on the threshold of the collapse, a serious cortex change begins to occur from the first quarter of the 19th century. The movement of westernization accelerates in every field, while literature takes part in it. But this renewal occurs not only with the entry of new species, but also with the change of species. The influence of many other newly emerging social science concepts in the transformation of the tradition of judgment, initiated with the Stories of Grandfather's Horror, is widely seen. The characterization of the new human type in which the political environment is born, along with the new concepts, also establishes its own language to the narrative. Hussein Water is a writer who has contributed to the association of the literary text with solid phrases of the long-term neglected tachran in the modern story that emerged in this new period. Hussein Water expands the outer circle of stories in his first story book. It is in the modern world. However, these indigenous people are presented to the reading with their foreignization to their geography. In this article, we will try to understand in the stories of the writer’s story book, the Mother Cold, how the modernization of the tachra man is addressed and how the writer has chosen in this approach.